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Friday, December 25, 2020
Poetry Friday -- Wistful
Friday, December 18, 2020
Poetry Friday -- Live Your Poem
Thursday, December 10, 2020
Poetry Friday -- Spark!
1985
After the first job,
before the second degree.
Between.
South -- tobacco fields
West -- Navajo Nation
North -- regal mountains
Soundtrack
box of cassette tapes
meadowlark on a fencepost
AM radio
Souvenirs
single finger wave
small town hospitality
sense of direction
1985
After the first job,
before the second degree.
Between.
South -- tobacco fields
West -- Navajo Nation
North -- regal mountains
Soundtrack
box of cassette tapes
meadowlark on a fencepost
AM radio
Souvenirs
single finger wave
small town hospitality
sense of direction
©Mary Lee Hahn, 2020
Thursday, December 03, 2020
Poetry Friday -- Roundup and D-39 Cover Reveal
Novelist and poet Irene Latham has never shied away from hard topics. With Charles Waters, she has tackled race and racism head on (pun intended), and given readers definitions that will pave the way into a brighter future. She has introduced us to heroic characters who lived through difficult times in the past.
"When circumstances are dire, all the stuff that doesn't matter kind of falls away, and you discover what's most important to you— and maybe even who you really are. As a reader and as a writer, I enjoy exploring that white-hot space."
As an artist, or in this case I will say "visual communicator," it is something special when you read through the manuscript and have the desire to do fanart of the characters. That's essentially what creating the cover for D-39 felt like to me. I was taking the Klynt and D-39 that I had been imagining in this cluttered shed and presenting them outward--how fun for me! My goal was to portray a sense of connection and determination in our main duo, while engulfed in a smattering of items that are seen in their journey together.
And now...
You are invited to the Inlinkz link party!
Click here to enterMonday, November 30, 2020
Poetry Friday -- Call for Roundup Hosts
It's that time again. Six months have passed since last we queued up to host the Poetry Friday roundups.
If you'd like to host a roundup between January and June 2021, leave your choice(s) of date(s) in the comments. I'll update regularly to make it easier to see which dates have been claimed.
What is the Poetry Friday roundup? A gathering of links to posts featuring original or shared poems, or reviews of poetry books. A carnival of poetry posts. Here is an explanation that Rene LaTulippe shared on her blog, No Water River, and here is an article Susan Thomsen wrote for the Poetry Foundation.
Who can do the Poetry Friday roundup? Anyone who is willing to gather the links in some way, shape, or form (Mr. Linky, "old school" in the comments-->annotated in the post, or ???) on the Friday of your choice. If you are new to the Poetry Friday community, jump right in, but perhaps choose a date later on so that we can spend some time getting to know each other.
How do you do a Poetry Friday roundup? If you're not sure, stick around for a couple of weeks and watch...and learn! One thing we're finding out is that folks who schedule their posts, or who live in a different time zone than you, appreciate it when the roundup post goes live sometime on Thursday.
How do I get the code for the PF Roundup Schedule for the sidebar of my blog? You can grab the list from the sidebar here at A Year of Reading, or I'd be happy to send it to you if you leave me your email address.
Why would I do a Poetry Friday Roundup? Community, community, community. It's like hosting a poetry party on your blog!
And now for the where and when:
Thursday, November 26, 2020
Poetry Friday
I joined Spark for the first time. Spark 46, the last round for 2020. A creativity challenged seemed like good way to end this wackadoodle year.
MEANDER (an “In One Word” poem)
Amend
your dream
of reaching that destination. Rename
this aspiration “journey.” Endear
yourself to this dare.
When you find yourself near
fulfillment, read
the landscape, know what you need,
veer toward a new end.
Wandering is a pleasure earned.
Ramble your amen.
Wednesday, November 25, 2020
NCTE 2020 -- So Much to Celebrate!
Thursday, November 19, 2020
Poetry Friday -- Messages From the Universe
This morning, between this page (which I've already seen) in my Everyday Offerings book...
- How are the books you’re choosing helping you to become the person you want to be?
- How are the books you’re choosing helping you to understand the lives and feelings of others?
- How are the books you’re reading bringing you joy?
- How are the books you’re reading helping you to understand your own identity?
- How are the books you’re reading helping you to understand the way the world works so that you can make it a better place for everyone?
Tuesday, November 17, 2020
Everyday Advocacy: Teachers Who Change the Literacy Narrative
Today, the book Everyday Advocacy: Teachers Who Change the Literacy Narrative by Cathy Fleischer and Antero Garcia is available! This is an important book for all educators who want to work to change the narrative about literacy and education. This is a must-read for educators. It would be a great book to read with a group of colleagues--local or beyond--to think about how you can make a difference as part of your everyday work.
We had the chance to ask Cathy and Antero some questions about their book and the ideas behind it. We hope you learn from all they have to say and the resources they share.
Franki: Why do you think it is important for teachers to have advocacy skills?
Cathy and Antero: The public narrative surrounding teachers is too often dismissive, demeaning, and just plain wrong--based on “what it was like when I went to school” or on years of one-dimensional media depictions of either the hero teacher (who works 80 hours a week to save kids) or the uncaring teacher who doesn’t take the work seriously. Neither of these depictions fit the teachers we know, the teachers who are committed to professional learning and thoughtful curriculum development, who care deeply about students, who continually work to improve their own teaching, and who make meaningful decisions about what to teach and what not to teach.
But sadly, so many decisions about how and what we teach have been taken away from teachers and placed in the hands of people who are not regularly in schools and who quite simply don’t have the knowledge or expertise to decide how and what we should teach.
This is why teachers need advocacy skills--to share their voices, their stories, their expertise in order to shift the public narrative around teaching in order to help others (colleagues, administrators, legislators and community members) see teachers and teaching differently.
Franki: You’ve really worked to redefine advocacy for educators and to broaden the ways in which we, as teachers can see ourselves doing this work. I imagine that has been very intentional. Can you talk about that journey?
Cathy: For me it began twenty years ago when my husband (an environmental advocate) and I would talk over the dinner table about our work, and I learned how he uses advocacy measures to create campaigns on specific environmental issues. His super-smart thinking on things like cutting an issue, identifying decision-makers, and finding allies led me to start studying community organizing and advocacy, interviewing organizers in multiple fields, and thinking hard about how what they do could be adapted for teachers. I began writing about what I was learning and then offering workshops for teachers so I see how they thought advocacy might work for them, how it could be a part of their already overly busy lives rather than an add-on. This led to co-creating the Everyday Advocacy website with former NCTE Communications Director Jenna Fournel, which features hands-on approaches to advocacy and teacher stories from these workshops. Truly, every single day I learn more and more from the amazing teachers who do this work: how they continue to advocate for ways of teaching and learning they know are important in their specific contexts.
Antero: Before learning about Everyday Advocacy from Cathy and her work with Jenna, my work with teachers tended to focus on what we refer to in the book as “big A” Advocacy. My scholarship and my experiences in classrooms often emphasized activist stances toward justice that, admittedly, can get in the way of some teachers seeing themselves as advocates. Part of what’s appealed to me about the work that Cathy leads is that every teacher can see themselves in this work, it builds on what they know, it encourages them to center student learning needs, and it is focused on results for the here and now. I think getting every teacher to see themselves as an advocate and building capacity with this skill set is an imperative for classroom teachers right now; that it still connects to bigger issues around democracy, labor, and freedom is an added bonus.
Franki: Can you talk about the importance of the word “everyday” in your title and idea about advocacy?
Cathy and Antero: Advocacy seems like a big scary word—it’s what those paid community organizers or lobbyists do to get bills passed or to organize marches with thousands of people in the street. But there are a ton of examples in the world of folks who use their voices and tell their stories as part of their day to day lives—and that’s what we mean when we use the term everyday advocacy--part-of rather than add-on.
The word also reminds us that the regularity of advocacy in the lives of teachers makes it feel less scary. Like going to the gym (in the times when it was safe to do so!), advocacy is a muscle that develops or atrophies through everyday use.
Franki: Everyone has ideas about education and it seems that teachers are no longer the people trusted when it comes to decision-making. But you have a strong belief in teachers and you have ideas about how we can change the narrative. What can teachers do locally and beyond to change that?
Cathy and Antero: It’s true--we do believe in teachers! As we say in the introduction to the book, “We believe in their power to inspire, challenge, support, and care for the students with whom they work--day-in and day-out, in often challenging circumstances, and with intelligence and grace. Teachers, we know, are contemporary superheroes, and we believe they should be honored as such, each and every day.”
But teachers are not always trusted to make decisions about curriculum and pedagogy and assessment and a host of other issues. And the narrative that we mentioned above--one that is too often dismissive and demeaning--has become even stronger during this pandemic. We’ve been amazed at the ways some people are dismissing the herculean effort that teachers are putting forth and disheartened that teacher voices were too often absent from discussions of how to do school this year.
We believe that teachers can change that narrative and bring their voices into the discussion--and the book is filled with ideas about how to do that. Specifically, teachers can focus on a particular issue that impacts them in their local setting, learn as much as they can about that issue (by carefully observing students in their own classrooms, working to understand the context of their own communities, and immersing themselves in what others have written and said about the issue); seek like-minded colleagues and community members to become allies; and set out a plan to help others understand the issue differently. It’s not always easy, but as the examples in the book show, teachers are doing this work in all kinds of ways.
Franki: With limited time, what are some quick tips for how teachers might do move advocacy work?
Cathy and Antero: We think working proactively is the first big step. What can you do as a teacher to help other teachers, administrators, parents, and community members understand why you teach in the ways you do? You can host a parent night in which you ask these adults to share memories of reading and writing in their lives and then connect their memories to why you use choice reading and writing workshops. Or you might begin a children’s or young adult book club for students and parents that focuses on diverse books so parents can both up their own knowledge and watch how their students respond. Or you might share student work regularly with your families and administrators so they can see the great work that emerges when you teach in a particular way.
This proactive advocacy leads to you developing more allies as others understand your thinking and your teaching. And once they understand, we’ve found they are more willing to have your back if questions or concerns arise down the road.
Franki: Who are some people (other than the authors in your book) who educators can follow as models for their own advocacy work?
Cathy and Antero: We love the blog Teachers, Profs, Parents: Writers Who Care as an example of how you can write for the public. Check out their Tips for Writing for Parents as one resource.
We also love Jessyca Matthew’s articles for Teaching Tolerance and her interview for NEA’s Social Justice Advocate of the Year.
The ELATE Commission on Social Justice has a ton of useful resources on their easy to remember site: https://justice.education/
As a professional learning community, the Marginal Syllabus project has been a years-running effort to bridge the theories described in NCTE journals into dialogue and practice; the ideas and connections here are useful and rejuvenating.
Lastly, getting to read about the big and small forms of advocacy happening in the lives of teachers and teacher educators is always illuminating. Literacy scholar Betina Hsieh and math teacher Jose Vilson’s blogs are both wonderful.
Thursday, November 12, 2020
Poetry Friday: Haiku Diary
Dreaming our futures.
Friday, November 06, 2020
Poetry Friday: "A Portable Paradise"
I'm still grieving the loss of The Slowdown podcast, and haven't brought myself to listen to the final episode. Maybe today.
Luckily, I have a backlog of Poetry Unbound episodes, and luckily, I picked the one from Monday. Pádraig Ó Tuama reads and comments on Roger Robinson's poem "A Portable Paradise."
then I’m speaking of my grandmother
who told me to carry it always
on my person, concealed, so
no one else would know but me.
That way they can’t steal it, she’d say.
And if life puts you under pressure,
trace its ridges in your pocket,
smell its piney scent on your handkerchief,
hum its anthem under your breath."
Thursday, October 29, 2020
Poetry Friday -- Space is a Word
And here are a few of the poems my 5th graders wrote (click on the images to enlarge them):
Moon is a Word by J. |
Pluto is a Word by A. |
Planet is a Word by Z. |
Orbit is a Word by S. |
Pluto is a Word by A. |
Friday, October 23, 2020
Poetry Friday -- Autumn Acrostic
Friday, October 16, 2020
Poetry Friday: "I am overtired"
AFTER APPLE PICKING
My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.
Of the great harvest I myself desired."
Friday, October 02, 2020
Poetry Friday -- Letting Go and Holding On
Puff
of wish,
globe of stars,
summer snowflake,
granny in the grass.
Some say you are a weed,
but to me you are magic.
Even though I blow you to bits,
you never hold a grudge -- you spread joy.
Mary Lee Hahn, 2020
Wednesday, September 30, 2020
Anthropomorphized Monkeys and Racist Stereotypes in Children's Books
Then, I saw the title of the second book and I worried: The Farmer and the Monkey.
I ordered the book the day it came out. Even though I knew the issues with anthropomorphized monkeys in children's literature, I was hopeful. Very hopeful. I trusted that maybe since this was about a circus, it would be okay. As I said, I LOVED The Farmer and the Clown and I really wanted to LOVE this one too.
I was compelled to dig a bit more. I went page by page in the book and here are some problematic things I noticed:
- The monkey appears to me to be sneaky. Before he even enters the farmer's home, he is sneaking around, climbing on the roof, peeking in windows.
- The monkey is only in the farmer's house for a few minutes before the farmer sends him away--kicks him out of the house in the dark night. Alone.
- The monkey is left alone in the night and is buried in snow while the farmer presumably sleeps peacefully, not checking on the monkey through the night.
- The next morning, the farmer sees the monkey in the snow, (seemingly waiting to be saved), feels sorry for the monkey and brings him in and cares for him. but the monkey still causes immense trouble on the farm and although the farmer doesn't seem to enjoy the monkey, he is more patient with him.
- The farmer sends the monkey off on his own to meet the train/his circus family, with a full picnic basket strapped to his back so that finally the farmer can rest peacefully on a haystack. The ending shows that the farmer's life is much better after he sends the monkey away.
- The clown visibly presents as a white child.
- When the farmer sees the clown all alone, he immediately takes him in and cares for him, holding his hand as they walk to the farmer's house. The clown seems compliant and happy to have the farmer as a friend almost immediately. This is a huge contrast from the monkey, sneaking in and causing trouble immediately and the farmer becoming flustered.
- In the home, the little clown is sweet and compliant. He does everything the farmer does.
- The farmer is so loving toward the clown that the clown sleeps in the farmer's bed while the farmer stays awake making sure the clown is comfortable. In contrast, the farmer sleeps in his own bed while the monkey sleeps on the floor in a small picnic basket, or even stays awake at night while the farmer sleeps.
- The clown was NEVER kicked out of the farmer's home. Instead the farmer did everything he could to help the clown feel welcome and to be comfortable.
- The farmer works hard to entertain the clown and to make sure he is happy. The clown also appears to be VERY helpful with chores on the farm.
- In the first book, the farmer and the clown go on a fabulous picnic using a full picnic basket as they wait for the circus train. They eat together under a tree. When the train arrives, the farmer holds the clown's hand and waits until the family comes out and greets him. The farmer and the clown have an emotional goodbye that is filled with hugs and love. The farmer seems to keep the clown's hat to remember him.
- In contrast, the monkey is sent on his own, loaded down with a heavy picnic basket that they packed with food. Instead of hugs and love, the farmer shakes the monkey's hand and sends him off, without enjoying the meal together, never making sure he gets where he is going.
- The farmer appears relieved when the monkey is gone as he rests on the haystack.
It is not my intent for this post to end up starting a conversation about this specific book, but instead for it to act as a call for all of us who work with children and children's books to commit to learning, understanding and critically analyzing books with monkeys and to understand the problematic history of these images.
I will continue to be a huge Marla Frazee fan even if I cannot be a supporter of this book. I am hoping that that authors and publishers take this issue of monkeys in picture books more seriously in the future.
Friday, September 25, 2020
Poetry Friday: Not Ponderous
photo via Unsplash |
The World Itself is Not Ponderous
Thursday, September 17, 2020
Poetry Friday -- Orion
Photo via Unsplash |
Winter Stars
I went out at night alone;
The young blood flowing beyond the sea
Seemed to have drenched my spirit’s wings—
I bore my sorrow heavily.
But when I lifted up my head
From shadows shaken on the snow,
I saw Orion in the east
Burn steadily as long ago.
From windows in my father’s house,
Dreaming my dreams on winter nights,
I watched Orion as a girl
Above another city’s lights.
Years go, dreams go, and youth goes too,
The world’s heart breaks beneath its wars,
All things are changed, save in the east
The faithful beauty of the stars.
Saturday, September 12, 2020
Remote Learning with Spencer's New Pet: The Power of Wordless Books
As I work with teachers across grade levels, many are thinking about how to build community and create a space that is safe and inviting for important thinking and conversation. Whether they are in person and social distanced, whether they are hybrid and have their kids both live and in remote spaces or whether they are fully remote, this is something on every teachers' mind, as it is every fall. So much of the fall is often spent building community, learning how to have thoughtful conversations, building on one another's thinking, learning to disagree and learning to support claims and ideas with evidence. This year is no different in that regard.
Spencer's New Pet by Jessie Sima has been a great wordless book to share early in the year. Mary Lee reviewed the book a while ago and I fell in love with it this spring when I shared it with my 5th graders.
If we want our students to talk about books in critical ways, if we want them to be able to talk about issues in our world, if we want students to learn to grapple with ideas, agree, disagree and grow their thinking, I find that wordless picture books are perfect tools for inviting students into this work early in the year.
This fall, I've been fortunate to work in a few Zoom classrooms, supporting teachers in their work with students. Spencer's New Pet has worked so well with several groups of students. I find that it is a book children (and adults) of all ages engage in joyfully. And it provides so many natural stopping places to notice and celebrate thinking and talk. Because there are very few words, the book is accessible to everyone and children are anxious to share thinking as there is so much to notice in each illustration.
This book was good for several reasons. It helped start discussions around these important behaviors and strategies:
- changing thinking is something readers do
- readers support thinking with evidence
- building on ideas of others is valued here
- we think before, during and after we read
- reading is about more than words; it is about thinking and understanding
- we think in so many different ways as we read
- there is power in rereading
- creators make so many decisions that help us understand
Spencer's New Pet is my most recent favorite wordless book, but I have several and I am always on the lookout for a new favorite to share with students. Sharing a few wordless picture books over the first several weeks of school helps build an intellectual community of talk and collaborative thinking. Here is a link to some other wordless books that are perfect for remote learning.
Friday, September 11, 2020
Poetry Friday -- How to Be a Poet
image via Unsplash |
How to Be a Poet
by Wendell Berry
(to remind myself)
i
Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill—more of each
than you have—inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your poems,
doubt their judgment.
You can read the other two sections of this wise poem at the Poetry Foundation. I'm sharing it today as a reminder to myself. Maybe you needed to hear that, too?
Kiesha has this week's Poetry Friday roundup at Whispers From the Ridge.
Wednesday, September 09, 2020
Writing Workshop: The Possibilities for Remote Learning
The struggles of remote teaching and learning are real. Figuring out how to hold onto best practices with 29 students on a Zoom call is tricky at best. But as always, educators are figuring it out! I am amazed at all that teachers are doing to make this the best possible experience for students of all ages.
This week, Seth's Godin's blog post, Self-Directed, Project-Based Learning got me thinking again.
Since spring, I've been reflecting on my experiences with remote teaching. As I work with teachers now, I continue to think about what worked and what didn't when we moved to remote teaching last year. I am also thinking about the possibilities and surprise joys that came with remote teaching and learning. One thing I discovered was that Writing Workshop was an area that allowed me to offer choice and good teaching while making sure to meet required standards. I see how much is possible with remote teaching when it comes to writing.
I wrote a bit about it here after learning a bit from Julie Johnson on the blog this spring. I created a board for students that focused on writing choices and also met the standards that needed to be covered. Each choice led to a slideshow specific to the genre that helped kids do a bit of their own study while still having the support of our live writing workshop sessions.
I was mostly focused on providing choice and independence at that point. But once I opened up possibilities for kids, so many more good things happened.
Writing Workshop in a remote learning setting reminded me of the thing I know but sometimes forget when I am caught up in the day-to-day work of teaching--the more I let go and the more choices I give students, the more authentic and rich their writing experiences are and the more they learn and grow. The more choice and ownership I gave to students, the more they were able to do as writers and the more they were able to surprise me with their brilliance.
When given the choice, lots of time, and response from both home and school, students came up with so many great ideas:
- One student created her own cooking show, using some of her favorite TV shows as mentors for her writing.
- One student created a news show with her older sister and together they crafted stories, created a set and recorded those.
- One student created a new version of a board game with directions on how to play.
- One student interviewed family members about a memory, so that all perspectives could be part of the final piece.
- A student who has major talent in art had time to create several pages of a graphic novel.
- A student created the first chapter of Frozen fan fiction, planning to go on to write more over the summer.
One big lesson for me was when one of my students shared her process in creating a podcast. She had enjoyed the podcast series The Unexplainable Disappearance of Mars Patel and wanted to create her own fiction/fantasy podcast. We met several times in small groups and one day she said, laughing, "I spent all day yesterday looking for just the right sound effects. I found so many apps and so many sound effects. I wanted to find the perfect ones!" (You can listen to the podcast, "Sabrina and the Unexpected Fortune" below.)
In that moment I realized that the things we know that are important to any writing workshop (time, choice and response), were already so much a part of this pandemic life. Even though we provide these things in the classroom writing workshop, much has been taken away over the years because of time constraints, district mandates, state testing, etc.). In school, time for writing is limited, but because students had extra down time due to the pandemic, writing became playful and fun and so authentic. They could spend as much time as they needed or wanted to on parts of the process. They were able to go above and beyond in areas of writing that they wanted to. It seemed so authentic. I know that when I write, I sometimes get caught up for hours on one word or on one sentence. Or I work to try to find the perfect image to go along with a message. This is the fun of writing on some days.
When I met with small groups, students weren't talking about their writing pieces as something they were doing for school or because of school. They started talking about their plans for summer and how they might build onto the work they had done so far to write more. They were choosing to use their summer to continue work on some writing projects as they knew they'd have lots of time. So many of them were living their outside-of-school lives as writers.- Kids were exposed to writing they may never have thought of trying.
- We could talk about craft across genres--word choice, conclusions, organization are important no matter the genre or format. This allowed students to see the ways skills could transfer.
- Mentor texts became more important. I provided several but then students found some of their own as needed during the creation process.
- Writers were not only learning about the kinds of writing they were doing themselves, but as participants in the writing community, they were learning about the many kinds of writing that others were engaged in.
- Minilessons could be built using student work and could easily be planned to transfer to any kind of writing.