Notice and Note (With CHICKENHARE)

Notice and Note: Strategies for Close Reading
by Kylene Beers and Robert Probst
Heinemann, 2013

In my post last Thursday, I shared my plan to search for the signposts in everything I read/viewed for the rest of the summer. What's that quote about roads that are paved with good intentions? What a ridiculous goal that was!! And what a good reminder: EVERY text does not need a close reading! Note to self and others: don't overdo the signposts, or they will kill a love of reading as surely as any packet of worksheets.

I had success last week using the Notice and Note signposts with DON'T FEED THE BOY, a middle grade realistic fiction novel by Irene Latham. I've been on a graphic novel-reading binge for a couple of days, so I got to wondering if I could find the signposts in a graphic novel. After all, many (if not most) of my students will choose a graphic novel over any other genre or format any day.

Lo and behold, they were there. I had to think differently about them at times, finding them in characters' facial expressions or in the illustrations. But they were there. And I didn't try finding them in a straight-forward, traditional-narrative sort of graphic novel. The next one up on my pile was fantasy with oddball random characters and a storyline that makes you feel like you've been dropped into the middle of the story. (Just checked online. Although this book is not identified as a part of a series, it might be the third book. That would explain a lot about the dropped-in feeling.)

Chickenhare

by Chris Grine

Scholastic/GRAPHIX (February 1, 2013)

In this story, a chicken-legged rabbit and a bearded box turtle team up with the ghost of a goat to defeat the evil guy who keeps killing his pets and stuffing them so that they can't run away from him. (Think "willing suspension of disbelief...")

p. 9 What the butler says and how the evil guy answers don't match. CONTRAST AND CONTRADICTION (with a bit of irony and sarcasm thrown in)
p. 11 The other evil guy who kidnapped Chickenhare and Abe (the turtle) unwittingly gives the duo information that will help them to escape. AHA MOMENT (for characters and the reader, who should be predicting like mad when this happens!)

p. 66 The ghost of the goat shows up again. AGAIN AND AGAIN
p. 79 " 'Forty years ago...' " MEMORY MOMENT
p. 97 Interchange of questions between Chickenhare and the ghost of the goat. TOUGH QUESTIONS
p. 98 The ghost of the goat comes as close as it gets to giving WORDS OF THE WISER
p. 139 The visual clue in the picture gives the reader an AHA MOMENT when they realize how Chickenhare and the goat are going to trick the evil guy.
p. 157 The faces of Chickenhare and Abe are happy that they are continuing their journey. The faces of their two companions are not happy. CONTRAST AND CONTRADICTION

Notice and Note (with DON'T FEED THE BOY)

Notice and Note: Strategies for Close Reading

by Kylene Beers and Robert Probst

Heinemann, 2013

After I finished reading NOTICE AND NOTE, I challenged myself to look for the signposts in everything I read/viewed for the rest of the summer--children's books, adult books, movies, TV shows.

I discovered that it's hard...at first. The way I was trying to capture my thinking was the first barrier I had to hurdle. I took a picture of the N+N reading log in Penultimate on my iPad and I tried to jot my thinking with the stylus my brother gave me. The image of the log kept moving around when I was trying to write. Annoying. There has to be a way to lock an image in Penultimate, but I wasn't patient enough to find it.

Low tech was the way to go. I jotted the signposts on a scrap of paper that I used as a bookmark and grabbed some small sticky notes. Each time before I read, I glanced at the list of signposts.

But it was still hard. I read more slowly and looked back at the signposts often, asking myself, Was that one? Was that one?

Then, on page 19, I read, "Whit had heard the story a thousand times." and it was literally like a lightbulb: Memory Moment! Clear as day! At that point, I was able to relax into the reading and trust the author to lead me from signpost to signpost. Over the course of the book, I found all 6 signposts. At each one, I paused in my reading to think about what that signpost told me about the characters (alone or together) or the themes. I think I enjoyed the book more than I would have if I had just read it straight through, and I know for sure that if I sat down and had a conversation with someone about this book, I would, using my notes, have lots to say that I would never have...um...noticed or noted if I hadn't used the signposts.

This is only my first experience using the signposts, but it makes me super excited to teach the signposts to my fifth graders and watch what happens to their ability to write about and talk about their reading.

There is one additional signpost that I will teach my students. One I have learned to notice and note on my own -- the signpost of The Storm. So often, a storm in the story mirrors or foreshadows the action in the plot (change or trouble).

Don't Feed the Boy
by Irene Latham
Roaring Brook Press, 2012

First of all, how did I not read this book last year when it first came out?!?! All I can figure is that it got lost in the shifting sands/priorities of my TBR pile. If you missed it, too, get a copy and read it! These are characters you will love!

Whit has lived his whole life within the confines of the zoo where his mother is the director and his father is in charge of the elephants. He has been "home schooled" and nannied there. He craves change.

Whit meets Stella, a daily visitor to the zoo, and begins to learn about friendship in his first interaction with a member of his own species who is also his own age. Stella needs change in a way that is far more desperate and necessary than the change Whit seeks.

Both characters have parents who don't understand them, but just as their need for change is very different, the level of "bad" or BAD parenting that each character experiences is quite different.

Throughout the book, facts about zoos and zoo animals are woven. I wish I had read this book when it first came out. I could have handed it to my student who was almost exclusively a nonfiction reader in fourth grade and for whom TIGER RISING was his first independent grade level appropriate fiction novel. He would love the blend of fact and fiction in this book. He would likely also benefit from Whit's musings on what Stella's facial expressions meant, and the times when Whit came to  realize that Stella was joking with him. Ah, well. Better late than never! I'm sure there are students who will be in next year's class who will enjoy imagining a life spent within the walls of a zoo.

My NOTICE AND NOTE notes:

p. 19 "Whit had heard the story a thousand times." MEMORY MOMENT
p. 86 "Each time Whit broke a rule, it got easier." AGAIN AND AGAIN
p. 106 " 'Rodney, the truth is, I hate the zoo.' " AHA MOMENT
p. 144 " 'Dad, is there anything I can do?' " AHA MOMENT, CONTRAST/CONTRADICTION
p. 145 "Whit's mind played back all sorts of scenes of Millie's daily life..." MEMORY MOMENT
p. 161 " 'Guns are terrible things...' " WORDS OF THE WISER
p. 165 "As they turned to go, a drop of rain hit the top of Whit's ear." STORM = CHANGE
p. 168 "Whit wondered if that was what it was like for Stella's parents." TOUGH QUESTIONS
p. 171 "Whit thought he remembered the day Millie painted that one..." MEMORY MOMENT
p. 183 " 'But some things don't make sense no matter how many times you turn them over in your mind.' " WORDS OF THE WISER
p. 211 "Whit understood for the first time why more people come to the zoo than to all other sporting events combined." AHA MOMENT
p. 235 "How was it possible that they wanted the same thing but it wasn't the same at all? AHA MOMENT, TOUGH QUESTIONS
p. 263 (I'm not going to quote this one, it would give too much away!) AHA MOMENT
p. 266 "Rodney didn't say "awesome" or "cool" or any other words like them. CONTRAST/CONTRADICTION
p. 271 "A week later, on the second Monday of the month, it began to rain." STORM=CHANGE
p. 273 (Another one I can't quote.) CONTRAST/CONTRADICTION