by Sally Nicholls
Arthur A. Levine Books, 2008
review copy provided by the publisher
I finished WAYS TO LIVE FOREVER on the drive to Tennessee last weekend. It was an experience much like the one I had when I finished reading EACH LITTLE BIRD THAT SINGS on the drive home from dog trials: words blurring, tears streaming down my face. EACH LITTLE BIRD THAT SINGS is set in a funeral home and has a pet dog in it, so I should have known what I was getting myself into. WAYS TO LIVE FOREVER begins like this:
What a contrast it was to put WAYS TO LIVE FOREVER back in my bag, dry the tears off my face, and begin to read THE GRAVEYARD BOOK. I went straight from the heart-wrenching misery of the death of a bright, talented child...to death as a matter-of-fact way of life as a child grows up in a cemetery, surrounded by and taught by ghosts. Whoa.
Despite the shift of perspective from "life looking at death" to "death looking at life," both books accomplish the same mission: they give the reader the safety of distance from which to consider life and death from all angles.
THE GRAVEYARD BOOK is woven through with history, mythology, and fantasy. It brings to mind Ray Bradbury's THE HALLOWEEN TREE and SOMETHING WICKED THIS WAY COMES. And of course, GRANDY THAXTER'S HELPER.
I didn't need a single Kleenex when I read THE GRAVEYARD BOOK, but it kept me on the edge of my seat for the rest of the drive to Nashville, and I opened it again before we left the city limits on the way back home to Ohio. When I closed the book at the end, I sat for a long time just thinking. About life. And about death.
The Graveyard Book1. My name is Sam.Both books are about death, and that might be reason enough for some to want to keep them out of the hands of children. But both books are also about life, and in my opinion, that's precisely the reason why children should read them. Just last week, we had a conversation in my fourth grade classroom in which one of the great truths of fiction came out: we read fiction as a way to enjoy and learn from the problems of the characters...from a safe distance. Children should read WAYS TO LIVE FOREVER so that they can get to know Sam through the collection of lists and questions and journal entries he writes in the last 4 months of his life. Sam examines death and dying from all possible angles, but on the flip side, Sam makes a list of 8 things he wants to do, and over the course of the book he accomplishes all 8 in some way, shape or form: this is a book about living.
2. I am eleven years old.
3. I collect stories and fantastic facts.
4. I have leukemia.
5. By the time you read this, I will probably be dead.
What a contrast it was to put WAYS TO LIVE FOREVER back in my bag, dry the tears off my face, and begin to read THE GRAVEYARD BOOK. I went straight from the heart-wrenching misery of the death of a bright, talented child...to death as a matter-of-fact way of life as a child grows up in a cemetery, surrounded by and taught by ghosts. Whoa.
Despite the shift of perspective from "life looking at death" to "death looking at life," both books accomplish the same mission: they give the reader the safety of distance from which to consider life and death from all angles.
THE GRAVEYARD BOOK is woven through with history, mythology, and fantasy. It brings to mind Ray Bradbury's THE HALLOWEEN TREE and SOMETHING WICKED THIS WAY COMES. And of course, GRANDY THAXTER'S HELPER.
I didn't need a single Kleenex when I read THE GRAVEYARD BOOK, but it kept me on the edge of my seat for the rest of the drive to Nashville, and I opened it again before we left the city limits on the way back home to Ohio. When I closed the book at the end, I sat for a long time just thinking. About life. And about death.
by Neil Gaiman
illustrated by Dave McKean
HarperCollins, 2008
review copy provided by the publisher