Sometimes they introduce us to characters that we want to read about again and again.
Sometimes they offer support to readers who struggle with stamina and fluency by increasing the amount of white space on the page around the text, making the text more sparse while keeping it rich in language and imagery.
It's super-fun when the poetry written by the main character is a part of the poetry of the novel...and when the kid power that saves the day (and maybe even the farm) is poetry and art!
But bestbestBEST of all is when each poem in the novel is a poem that can stand by itself as well as being an integral part of the novel.
If you want a book that's worth its weight in gold, GONE FISHING is the book for you.
This book would make a great read aloud. It's the classic story of excitement (going fishing with dad all by myself!), disappointment (why does SHE have to come along?), conflict (when will I catch a fish?), and resolution (I only caught one, but it was a doozy of a catfish!).
The poems are told from the point of view of Sam, his sister Lucy, their dad, a couple of times all three, and once just Sam and Lucy.
There are more than 30 different poetry forms represented throughout the book, identified below each title and elaborated upon in the endmatter of the book. (Also in the endmatter, a bit about some of the other tools in a poet's "tackle box:" rhyme and rhythm, and poetry techniques such as alliteration, hyperbole, assonance, and more.)
And the illustrations are spot-on perfect.
For more information about the books in this post:
Like Pickle Juice on a Cookie
Like Bug Juice on a Burger
by Julie Sternberg
illustrated by Matthew Cordell
Love That Dog
Hate That Cat: A Novel
by Sharon Creech
Little Dog, Lost
by Marion Dane Bauer
illustrated by Jennifer Bell
Eva of the Farm
by Dia Calhoun
Gone Fishing: A novel
by Tamera Will Wissinger
illustrated by Matthew Cordell