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Sunday, August 10, 2014

Picture Books 10-for-10: Fairness


Thank you to Cathy (@cathymere) at Reflect and Refine and Mandy (@mandyrobek) at Enjoy and Embrace Learning for inventing and now hosting the FIFTH annual Picture Book 10 for 10 event. It's always fun to see what books everyone chooses and how much we all spend!!

I've shared my beginning of the year favorite read-alouds for community building with so many teachers that it's time to find a new group of books to use! Thank you #pb10for10 for helping me find 10 titles that will get my students and me thinking about issues of fairness. I'm excited to have a mixture of contemporary fiction, historical fiction, folktales, music, and nonfiction. I'll supplement these books with poetry on the same theme.

I found this image without attribution on another blog. This will be our first "text" to "read" and discuss as we think about fairness and justice.








 by Amy Krouse Rosenthal
illustrated by Tom Lichtenheld

This book will continue our discussions about fairness and equality.







by Rukhsana Khan
illustrated by Sophie Blackall


Sometimes we don't want to share, or take more responsibility 
because we are older.
But it's important to remember that what comes around, goes around.







Each Kindness (Jane Addams Award Book (Awards))
 by Jacqueline Woodson
illustrated by E.B. Lewis

This book will help us to connect fairness and empathy.
Hopefully we will never miss the chance to be kind
to someone in our world.






The Little Hummingbird
 by Michael Nicoll Yahgulanaas

Is it fair that the hummingbird is doing all the work?








Is it okay to make a situation more fair by using trickery? 







The Red Hen
 by Rebecca Emberley
illustrated by Ed Emberley

If you've done all the work, is it fair to keep all the rewards for yourself?







illustrated by Jerome Lagarrigue

With this book, we'll begin to connect fairness and Civil Rights. I'm hoping to read aloud the Kindle edition of Wiles' Revolution (The Sixties Trilogy)








Through My Eyes
 by Ruby Bridges

Is it fair for children of all race, color, ethnicity and religion to go to American public schools?








I'm a new fan of Duncan Tonatiuh after hearing him speak at the CLA Monday Workshop last year.
This book will broaden students' understanding of desegregation
to include the struggles of Hispanic families.







We Shall Overcome: The Story of a Song
 by Debbie Levy
illustrated by Vanessa Brantley-Newton

The story of this classic Civil Rights song will give us the "So What Now?" in this picture book unit. What will we do to work towards more fairness in our classroom, our building, our community, and our world?



Sunday, March 09, 2014

Corkulous for Read Aloud

I have been thinking about ways to use digital tools in authentic ways in literacy workshop. With a few laptops and a couple of iPads in the room, I am finding some challenges.  Recently, I read Katharine Hale's post "Digital Corkboard:  A Game Changes for Readers" on her fabulous blog, Teachitivity. We don't have Corkulous on our student iPads but I put it on my teacher iPad and decided we'd use it for read aloud. I have the board on my iPad and I am projecting on to the Smartboard with Air Play/Air Server.

We started out on Day 1 previewing our new read aloud How to Steal a Dog by Barbara O'Connor.  We started off with 2 columns--things we know after previewing and questions we have. 


It was on Day 2 of reading How to Steal a Dog that I saw the possibilities of a tool like Corkulous.  I've always believed strongly in charts and writing to deepen thinking while reading.  And I've been thinking hard about how to make charts better after reading Smarter Charts.  But as we started talking on Day 2, I realized that even though this chart wasn't "up" all day, kids were using it differently as we talked.  Kids started connecting comments we made on stickies and I was able to move those around/rearrange them so threads of conversation emerged. That's always happened a bit with traditional charting during read aloud, but in a traditional way that makes it harder for kids to follow. With Corkulous, I could move and change our thinking as we went.


Since kids had no experience with Corkulous, I was playing with sticky color, arrows, labels, etc. just so they could see all that was possible.  With the projection, they could see the way I used the tool AND the way it was supporting our thinking.  By later this week, our board continues to change. In the bottom right, you'll see the arrow stickies listing Georgina's possible character traits. This started as a conversation about Georgina being sneaky . Then one day, a student decided we should take one of the traits off because the more we read, the more we realized it didn't describe her anymore.  Then kids started talking about which words described her best so we rearranged the arrows--those few on the left are the ones that seem to capture Georgina at this point in the story, based on what we know about her.



Read Aloud is a huge anchor in our classroom.  It is the time that we come together as a community and dig into one book, learning from everyone's thinking.  For that reason, charting has always been key.  But with Corkulous, even after just a week of Read Aloud. I am seeing that yes, this is a game changer.

First of all, the size of the chart makes it very engaging.  I could technically create something like this on chart paper or a board but the size of the Smartboard makes it readable to everyone.  And I can zoom in to the section of the board we are talking about.  I can arrange and rearrange thinking and kids are seeing how writing and talk change thinking and how our thinking changes over a book.  Kids are not only adding to the conversation about the book, but they are suggesting things that  should do with our board--"Move that orange one that says....to the place where we are thinking about Georgina." or "I think we should delete the sticky that says Georgina is naughty.".

I've always believed strongly in Readers' Notebooks as a way for students to capture their thinking in writing.  Now, there are so many other options available with digital tools.  I love this tool for the conversations and understandings that are happening because of it.  And I also love that it is modeling another tool that supports readers in digging deeper in their reading.

I continue to find that when I play with new digital tools, focusing on the learning makes it almost risk-free.  I know my focus is on reading and thinking so if this tool hadn't worked so well, it would have been okay because my focus was on the literacy learning, not the tool.  Although the tool is very cool, the power has been in what it has done for our conversations and how we've been able to capture that as a community.

(I'm hoping to have Katharine's students talk to my students after we've played with this a bit--to share ways that they are using the tool to clarify and deepen understanding.)


Check out other digital literacy posts in the roundup at Reflections on the Teche.

Thursday, November 27, 2008

NCTE In Words and Pictures

How often do you get to meet one of your personal heroes (or sheroes, as the case may be)?  The absolute highlight for me of NCTE 2008 was hearing Lynne Cox speak and meeting her in person.  Lynne Cox is an extraordinary open water swimmer.  She is as physically adapted to cold water swims as Lance Armstrong is to long distance biking.  She has swum from the U.S. to Russia through the Bering Straits, and she has swum with icebergs in Antarctica.  She is an amazing story teller with amazing stories to tell.  (I reviewed her book GRAYSON here.)


San Antonio was a lovely city for a conference.  I was struck how different evening rush hour in the center of the city was this year, compared to last year in NYC.  This is the Times Square of San Antonio.  

I had several memorable meals, but alas, neglected to take any food pictures. Use your imagination. At Rosario's I had a beautiful (and tasty) Prickly Pear margarita and (delicious) fish tacos (grilled talapia). The fish tacos were a risk, but I figured the best place to try them would be in Tex-Mex land. They were seasoned with lime and cilantro, so how could I go wrong? At the Random House author dinner at Little Rhein Steakhouse I had a fabulous steak. It looked just like the one in the ads on the convention center wall, if you were there. Yum. I sat at a table with Wendelin Van Draanen and got to hear about her new book CONFESSIONS OF A SERIAL KILLER, and her upcoming new series THE GECKO AND STICKY (watch for a review soon). Finally, at Liberty Bar I had SALMON ENCILANTRADO, grilled salmon marinated in cilantro sauce. It came with a side of cilantro pesto, which I am definitely going to try to make!


Along with the obligatory Tex-Mex and the obligatory steak, there was the obligatory visit to the Alamo. Alas, we got there too late to go inside and take the tour, but we remembered (ha ha) to go.

There were several sessions that I really really really wanted to attend, but meetings or paid breakfasts or other mandatory sessions got in the way. I didn't get to hear Greg Mortenson (of THREE CUPS OF TEA fame), but I did see his extensive autographing line. I didn't get to go to the session on literature circles. I didn't get to hear Kathleen Yancy speak. (There's more, but I don't remember them, and it's a good thing I left my conference book behind -- my checked suitcase weighed EXACTLY 50 lbs., what with all the books I crammed in it!) 

Probably my favorite session was the impromptu Tech On The Go session that I did in the Hilton Lobby (the only place I could find with free wireless access) for Katie and Karen. Both of them got set up with GoogleReader and we played around with podcasting and composing on GarageBand. Katie swooned when Debbie Miller stopped by to chat and look over our shoulders at GarageBand. 

No, wait! My favorite session was the NCTE Notable Books session. I've never been to this Sunday from 1:00-3:00 session because I always left right after the CLA breakfast. I won't miss this session ever again...and especially not for the next few years since I'm on the Notables committee! What's so fun about it? First, you get to hear about each of the Notables. Then the authors do "speed dating" talks at each of the round tables. Audience sits still, authors rotate to you. This year there were EIGHT (!!) authors: Ralph Fletcher, Ann Bausum, Peggy Gifford, Jacqueline Woodson, Emily Gravett, Gary Schmidt, Linda Sue Park, and Ruth Forman. Ann Bausum brought historical documents for us to look at while she talked to us about MUCKRAKERS. Peggy Gifford confirmed that the stepfather in her MOXY MAXWELL books is indeed her brother in-law J. Patrick Lewis. Linda Sue Park taught us about sijo.  Ruth Forman read us YOUNG CORNROWS CALLIN OUT THE MOON, which is now on my to-get list. But my turn came to swoon when I got to hold and look at Emily Gravett's sketchbook for LITTLE MOUSE'S BIG BOOK OF FEARS!!! Wow. Wow. She read to us from THE ODD EGG, her next book out in the U.S. in January. Okay if I say it one more time? Wow. Emily Gravett. Wow. (Okay, I'll stop.)

Thursday, June 20, 2019

Poetry Friday -- An Opportunity to Learn


Photo credit: Karen Kuehn

Hooray for our new Poet Laureate, Joy Harjo, a registered member of the Mvskoke Creek Nation! She is our first Native American Poet Laureate, and now non-Native U.S. citizens have an excellent opportunity for learning.

At this past weekend's Building Cultural Competency symposium at the Highlights Foundation (my brief post about that here), one of the speakers we were most excited to hear was Dr. Debbie Reese, a registered member of the Nambe Pueblo Nation. And, no surprise, she's also very excited that we have a Mvskoke Poet Laureate!

Here's one of my big take-aways from Debbie's talk -- what we casually call "tribes" are actually Sovereign Native Nations, and we should name the nation to which a Native person belongs, rather than generically say Native American. There were thousands of these nations, each distinct in language, location, religion, story, systems of writing, and governance. (Note to self, when I am teaching my fifth graders about forms of government, I need to move beyond Democracy, Monarchy and Dictatorship and include Native governance.) Understanding that Native people belong to sovereign nations is important because the treaties of the past were made between heads of state. (Some references Debbie suggest we explore are Nation to Nation at the Smithsonian, the National Congress of American Indians, and the young people's version of An Indigenous Peoples' History of the United States, which Debbie revised from Roxanne Dunbar-Ortiz's adult version, along with Jean Mendoza, and which is set for publication at the end of July.)

One of my favorite poems by Harjo (so far...I'm just digging in...) is For Calling the Spirit Back from Wandering the Earth in Its Human Feet. It begins


Put down that bag of potato chips, that white bread, that bottle
of pop.

Turn off that cellphone, computer, and remote control.

Open the door, then close it behind you.

Take a breath offered by friendly winds. They travel the earth 
gathering essences of plants to clean.

Give it back with gratitude.

If you sing it will give your spirit lift to fly to the stars’ ears and 
back.

Acknowledge this earth who has cared for you since you were a 
dream planting itself precisely within your parents’ desire.




Here's some bonus music that celebrates Native culture and language. The first is an adaptation of the Beetles' "Blackbird" sung in Mi'kmaq, an Algonquian language spoken by the Mi'kmaq, the indigenous people of Nova Scotia. This was produced for the 2019 United Nations International Year of Indigenous Languages. Here's a CBC post about this production, and a WBUR radio spot featuring Emma Stevens.




"My Unama'ki," sung by the same 17 year-old high school student who sang the above version of "Blackbird," is a love song for the island of Cape Breton written by students and staff at Allison Bernard Memorial High School in Eskasoni, Cape Breton (Unama'ki), Nova Scotia, Canada.




Why stop there? Here are 11 Pop Songs in Indigenous Languages You Need to Listen To, mostly from Latin America, but also Australia and New Zealand. And here's a Peruvian teenager who is trying to save the Quechua language through music. Okay. Enough with the rabbit holes.


I'm sure (I HOPE) there will be lots of posts about our new Poet Laureate in the Poetry Friday roundup this week. I look forward to learning from and with you! Linda has this week's roundup at A Word Edgewise.


Wednesday, January 11, 2012

Mentor Texts: Teach the Writer, Not the Writing

This is part of a series of blog posts on Mentor Texts in the Digital Writing Workshop.  Contributors to this weeklong series are Troy Hicks, Katie DiCesare, Bill Bass, Tony Keefer and Kevin Hodgson. Posts are also being collected at Mentor Texts in the Digital Writing Workshop. Please join our conversation!

One of the most powerful things I learned as a writing teacher, was by Lucy Calkins who said, "Teach the writer and not the writing.  Our decisions must be guided by what might help this writer rather than what might help this writing."  


I have come back to this quote often in the last few weeks as I am working with 2nd graders on creating e-Comics.  In Writing Workshop, before the digital tools entered, I had very little trouble remembering Lucy Calkins' important words. I was good at focusing on the learning, rather than the product. I felt confident about teaching things that my students would use in future writing--I was impacting the writer, not the writing. I learned early-on as a Writing Workshop teacher, that it was easy to "clean up" a student's writing to make the product "look good". I could do the revising and editing, make decisions for the child, etc. and have something nice to publish.  But I quickly realized that with that approach, students writing never improved. Students never grew as writers. I was lucky to learn from amazing writing workshop teachers and saw huge growth in writers once I stopped focusing on individual pieces of writing and started focusing on individual writers.

Enter digital writing...  I feel like I took a little step back in time and in my ability to manage an authentic writing workshop. It seems that more often with digital tools, I am a bit more structured and directive.  I have to continue to remind myself about my beliefs about writing and learning.  I have to go back to books by my writing mentors--Katie Ray, Ralph Fletcher, Lucy Calkins, Don Graves, Shelley Harwayne--to make sure I am staying true to what I know about quality writing instruction.  Some days, I look around and notice everyone in the same place in the writing process, everyone using the same tools to create or everyone creating similar pieces and I panic.  My workshop before digital tools was much more student-centered.  Students had choice in tools to use, formats to publish and how fast to move in the process.  There seemed to be fewer directives and more invitations.  My vision of what a writing workshop should look like is harder to make happen with so many new tools and possibilities coming so quickly.  I am working to make sure I stay true to what I believe about writing and that I give my students the right messages about what it means to be a writer.  I am moving toward making sure my writing workshop matches the vision I have for it.

So, back to the Comic ebooks.  This is a collaborative project I've been working on with our art teacher, our technology specialist, and our 2nd grade teachers.  We started this project to meet several goals/standards that included learning around narrative writing, text and illustrations working together, using draw tools, finding and saving documents, creating ebooks, dialogue and talking bubbles, and more.  

We used Pixie and Comic Life to create the ebooks. Comic Life has been a popular piece of software but we noticed students not really knowing what to do with it. The photos available didn't always make for the best stories. And they had no idea how to use a draw tool to create comics.  In reading, I noticed that our younger students focused more on individual frames in their reading of graphic novels, than in the story as a whole.  Understanding that graphica was just one more way to tell a story was key goal for us. It was a long unit of study as the students only worked on the projects during art and library class. As with our 3rd grade book trailer unit, we immersed ourselves in comics and made decisions about how our writing would go. 

Challenges:  
About mid-way through our study, students were noticing the various sizes and shapes of the frames in comics.  We talked about how many shapes and sizes they could find and talked about why each was different.  EVERY SINGLE child believed that the authors of comic books merely filled out the template they were given.  They knew Comic Life well and just assumed that comic book writers were given a template and filled it in.  They had no idea that the comic book creator was the one who decided on the size and shape of the frames and how critical that decision is to the piece as a whole.  I was a little bit alarmed. As much as I love the tools that make digital writing more accessible, I also saw the limitations.  The messages my students were getting from this piece of software, were that the software was in charge of their decisions as writers.  I had to rework the unit so that students understood the decisions authors made when it came to frames, and more. 

Another challenge that we faced was that, as teachers, we realized that we got caught up in technology troubleshooting. This was a huge project and there was always some issue that required a computer restart, help with a password, an undo, etc.  Our kids are great at problem solving and collaborating but there were many times when kids needed our assistance.  This seemed okay at the time--kids were learning important technology skills as we worked with them. But what we realized was that we had very little time to conference with the kids about their actual writing or their process. Our work with them focused on the technology  We had worked hard on the writing before they got to the computers, but many kids missed out on the in-the-midst conferences that they needed because we were caught up in troubleshooting. 


We worried about publishing.  Our plan was to publish the ebooks on a internal class site. Putting work on the Internet is a little more stressful.  Published pieces have always forced teachers to make decisions about what is acceptable to "publish". But it seems to be even more difficult when we are not merely hanging writing in the hallway or hosting an author event with student writing.  

Reflection
We stepped back and thought back to all that we had wanted kids to learn and realized they learned SOOO many things that would take them forward as digital writers.  No matter how their "product" turns out, every student learned to tell a narrative story using a draw program and in graphic novel form. In terms of technology, they learned to save and name documents, to use draw tools, to create text boxes, to use and manipulate templates, to export pieces, to change fonts, and more.  In terms of writing, they learned to make decisions, to think about their audience, to connect words and visuals. They learned the difference between dialogue and narration.  They learned how to revise when things weren't going as they had planned.  They learned how to reread and rethink when something didn't make sense to their reader.  

None of this is evident if you look only at the finished products but this learning--the learning that they will carry with them as writers--is far more important than what the product looks like.  I have been visiting and revisiting the Video Game Design website that Kevin Hodgson created to make visible all of the learning that went on in his game design unit. This website is hugely powerful and important work. If we are to have successful writing workshops, it is critical for us to make the learning visible and capture what it is the students learn as writers--things they will carry with them no matter what it is they compose. I also think it is important for us as teachers as a reflection tool. We need to take the time and sit back and reflect on the learning that happens in a project like this--otherwise, we run the risk of focusing on the project and teaching the writing, not the writer.

Celebration
Some days, these comic ebooks take over the library. It seems there is always a computer open that's screen shows a product in the midst of a comic creation.  A student who left a computer on, a child who popped in to work on something, etc.  And guess what? Our biggest, most important goal--the one we forgot about throughout the project--has been achieved.  Early on, we knew we needed good student-created mentors for our students. Pieces that students at our school created that would open up what was possible with the tools we had. As these open computers sit around the library or as I am finishing up moving a pdf to my flash drive as a new class comes in, someone notices the comic on the screen and someone says (almost every day)--"What is that? I want to do that."  I can only imagine what will happen in the next few weeks as these comics are put online for the school community.  So, we've met individual standards-based goals. But we've also met a schoolwide goal of creating a library of projects that our students can learn from.  In-house mentor texts that can open up what is possible for all students.  Every writer will grow a bit by seeing a few more things that are possible.

Teaching the writer, not the writing is key when it comes to any type of writing, especially digital writing.  Some days I feel like I am back to my beginning years teaching in a writing workshop-reminding myself of what is important.  I have to ask myself every single day-what I am doing to help this child become a better writer? What will he/she take with him no matter what he/she is composing in the future? What should I focus on now that will impact all future writing?

And I also have to ask myself, what am I doing to help this community of writers? How am I building our own library of mentor texts-pieces to learn from and to open possibilities for what is possible in our writing community?

Monday, January 03, 2011

#bookaday SUGAR AND ICE by Kate Messner

I read SUGAR AND ICE by Kate Messner as one of my #bookaday books.  I decided that I loved it so much that it deserved a post of its own.  I was surprised by how much I loved this book--the outdoors, the cold, a maple farm, competitive sports--none of these are in my list of favorite things.  But I think I maybe love them all now.  (Well, okay maybe not the outdoors in the cold...)

SUGAR AND ICE (An Amazon Best Book of the Month) is the story of Claire, a skater from a small town who is chosen to train at Lake Placid. She accepts the scholarship and begins training.  Claire is a good skater and does well but the training means that she has less time to do other things she loves--spending time with family, hanging out with good friends, skating on the pond, working with younger skaters, etc. She also has to learn to deal with the pressure of the training.  Although many of the other skaters become friends of Claire's, she has to learn to deal with the mean girls in the group--the girls who are threatened by her success. In the end, Claire has to decide what it is that she wants and how to fulfill her dream as a skater.

This book would provide for great conversations.  So many kids today have talents and opportunities and many give up some things they love to pursue others. I've taught grades 3-5 for most of my career and it seems that this is the age where kids either become more committed to a passion they have or they become burnt out.  It is an important age for deciding what is important.  Kate Messner understands this well and captures the struggle of a child in this type of situation well.

The characters are great (a requirement for any book I love).  Very believable characters with real gifts and real problems.

I am trying to decide whether Claire's coach belongs on our 100+ Cool Teachers in Children's Literature list.  My gut is that he does. He takes kids with a natural talent and passion and helps them move forward. He is intense and isn't always about the whole person, but there is something about the way he watches and listens and knows where to go next with a skater that makes me think he belongs. He builds a confidence by helping skaters at what they need individually.   I need someone else's opinion first, though!

Love this book and I think it would be a great book club book. It provides so much to talk about when it comes to following dreams, giving up one thing to make time for another, things worth working for, etc. I think kids would naturally find so many issues that they deal with on a daily basis in this book. This is definitely a perfect middle grade book.

This is the second book I have read by Kate Messner (Marty McGuire was the first) and I am anxious to read more.  I have THE BRILLIANT FALL OF GIANNA Z. on my TBR stack and am also anxious to read her upcoming professional book on revision being published by Stenhouse.    And she is a middle school language arts teacher! (Yes, I know, I too am wondering how she does it all...)I so love when I discover a new author I love who has lots of upcoming books!  Really, what could be better?

Sunday, July 19, 2009

Laurie Keller Author Visit



I am a little late posting this. Okay, so I am a lot late. With the end of the school year, things got crazy as they do. And then I traveled a bit and didn't have the time to give this post the energy it deserved. So, now I finally have the time to reflect on the great author visit that we had in late May. Author and illustrator, Laurie Keller visited our school in May. She also visited the Dublin Branch Library. It was a great day!

If you haven't read each and every one of Laurie Keller's books, every one is great. The fact that she is author AND illustrator is key because so much of the story goes on in the illustrations--and even in the lettering. Her characters are great and her humor is brilliant. Each one of Keller's books is one that can grow with kids. My daughter's personal favorite book is ARNIE THE DOUGHNUT. And, it was the favorite among the whole K-5 school who read and enjoyed all of her books. The story is a fun one--Arnie is purchased by a nice man, only to discover that the man intends to eat him! Arnie is shocked and the story goes from there. I can see why this has been my daughter's favorite for years. The story is fun--the whole concept is pretty fun. And the side comments probably make more sense as her sense of humor has developed. So she can enjoy it on different levels as she grows. All of Keller's books do this.

Laurie Keller was a great author to have visit our school. I was lucky enough to be part of all of the sessions and the students had such a great time with her. One of the things that was so nice was the tie-in to art. She not only talked about her books and her writing process but she spent lots of each session teaching kids to draw those characters that they love. Kids came with pencil, paper and clipboard and they left with quite a sense of pride and accomplishment. Laurie taught us how to draw several things--I was amazed at how simple she made it look. After her visit, many kids in the school created their own stories about the characters she had taught them to draw! (And at the Dublin Library, even children's library, Loren Scully was learned to draw some of Keller's characters!)

Keller's books are all great books for home, classrooms and school libraries. She has a unique format and a unique sense of humor that kids an adults enjoy. Even though I read all of her books to all of our classes, I never tired of them. I laughed every time and during every read, I noticed something that I had missed before.

DO UNTO OTTERS is a book that we have in every classroom of our school. It is a great book about manners and Keller writes it in a way that makes the topic amusing and engaging for kids. It is a great way to start conversations with kids about manners and the ways we treat each other.

OPEN WIDE: TOOTH SCHOOL INSIDE does a great job of teaching kids about teeth and dental health.


SCRAMBLED STATES OF AMERICA and SCRAMBLED STATES OF AMERICA TALENT SHOW are two of Keller's most popular books. She brings each state to life in fun stories so that kids learn about the states. Not only are these books great but the game, Scrambled States of America was quite a hit in the library. 4th and 5th graders had a fun time learning about the states and US geography with the books and the game.

Laurie also shared her upcoming book ME AND MY ANIMAL FRIENDS. This one is written by Ralph Covert of Ralph's World. Laurie Keller's illustrations make the book quite fun and I can't wait to add this new book to our library.

I do not often like video versions of children's books but Weston Woods has done an amazing job with Keller's books. Because there is so much going on in the illustrations, and because the side comments are too good to skip when reading aloud, I loved sharing the videos with the kids at school. The characters really come to life in each of the videos.

I would highly recommend Laurie Keller as an author visit if you are looking for someone. Her books are great fun for students from K-5. And she is great with kids--building a confidence and inviting them to do more with her characters. Plus, she is great fun to be around. She is genuinely excited about the kids and their learning and that shows in the way she talks to them and the excitement she shows about their work. And if you aren't looking for an author to visit your school, I would definitely add Laurie's books to your collection. Her graphics and the humor that she uses are great ways to teach kids about lots of things.

Sunday, January 27, 2013

The Year of Kira-Kira

It was January 2005. As always, I was very excited about the announcement of the Caldecott and Newbery Awards. There was no social media and we had not started blogging....yet.  Mary Lee and I had our own little conversations and predictions and we were pretty much never completely right.

But, on the day that Kira-Kira was announced as the winner of the Newbery Award, I was totally annoyed. Not only had I not read the book but I'd never even HEARD of it. I could not figure out what the committee had been thinking... I had spent my whole year reading great children's literature and making predictions about what might win. I understood that my pick probably wouldn't win, but to have a book win that I'd never heard of was quite heartbreaking.

As a dutiful 5th grade teacher, I bought a copy of the book (hard to find since no one seemed to have it on their radar) and read it in a sitting or two. I read it quickly so I could bring it into my classroom.  It was okay.  I enjoyed it okay. I didn't love it and I certainly did not think it deserved to win the Newbery.

The next Monday, I brought it into class. I did a semi-pathetic book talk and said to my class,  "This is the book that won this  year's Newbery.  I read it this weekend. It was good. I didn't think it was great but it was good. I am not sure why it won the Newbery, but it did.   If you want to read it, here it is." (maybe not that pathetic, but close!). Well, one of my avid readers, Katie, jumped on it.  She said she wanted to read it and off she went.

About 3 days later, Katie requested a conference with me. She came to the table with my copy of Kira-Kira filled with sticky notes. She said, "Mrs. Sibberson, I think you need to read this book again. You said you didn't think it was that great but I started marking these amazing lines in the text and look at how many there are!  I think you must have really missed a lot of this book because it DEFINITELY deserved to win the Newbery."

I have since reread Kira Kira (as did many other students in that 5th grade class) and it is one brilliant book. It is a book that has stayed with me for years and years and years. I am now a huge fan of the author and am dismayed with myself for not being open to the book during my first read. Instead of being annoyed at it winning, I should have been thrilled at the chance to discover a new book that I had not known about before the award announcement.  And I have Katie to thank for helping me see what I could not see on my own.

So, every year at this time, especially on this day, I thank Katie for everything she taught me that day.  She taught me about books and awards and about being a reader.  It is on the eve of the ALA announcements, when I am wishing, wishing, wishing for my favorite books to win awards, that I try to remember to be open-minded and to celebrate the winner--no matter what happens.  I remember that I may have missed lots in a book that others could see so clearly. I remember that there are so many good books and I love the journey of discovering them far more than I love award day.  And I remember that no matter which book wins, this is another great opportunity to have amazing conversations with fellow readers.

Thank you, Katie and Happy Newbery Eve, Everybody!

(And to help you understand tomorrow's decision a bit better, don't miss Monica Edinger's post at Nerdy Book Club, Top Ten Things You May Not Know About the Newbery Award.


Wednesday, December 29, 2010

#bookaday -- Mary Lee's Pile #5, #6

The War To End All Wars
by Russell Freedman
Clarion Books, 2010
review copy provided by the publisher




Forge
by Laurie Halse Anderson
Atheneum, 2010
review copy provided by the publisher


#bookaday #3 (Sugar Changed the World), #5 and #6 have me thinking hard about myself as a nonfiction reader. I loved Sugar Changed the World, and hungrily read every word of the book. Okay, maybe "hungrily" is an adverb better used to describe how I ate the cinnamon rolls in the picture, and not so much how I read the book, but my point here is that I didn't read The War To End All Wars with that kind of eagerness. Truth be told, I mostly skimmed it. But why? Lack of background knowledge? I had about the same amount for Sugar. The chronological format? Maybe. The Red Flags of Textbook Reading may have been raised in my brain by the chronological telling in the first part of the book and I was not able to recover control when Freedman switched to topical chapters. However, I think what made the difference for Sugar Changed the World was that Aronson and Budhos worked so hard to link their information to the stories of real people -- first to their own family stories, but then to the stories of real people. Yes, yes, The War TEAW is filled with Real People, filled to the bursting with every important name of every important player in the whole shebang. And that's the difference. Names vs. Stories. And that seems to be the difference for me as a reader. I happily dug into Revolutionary War history with Laurie Halse Anderson's FORGE: Story.

On a separate note, as I look for big themes that connect my #bookaday reading, I notice that I have read two books that describe total train wrecks: Keeper and The WTEAW. I yelled (inside my head) at Kathi Appelt all the way through Keeper as disaster led to disaster, but I couldn't put the book down knowing that resolution of some kind would come by the end of the novel. Reading about how assassinations and misunderstandings and messages delivered too late resulted in the development and use of weapons of mass slaughter and the paving of the way towards the jittery ("Current Terror Level: Yellow/Orange") way we live now, was hard. Really hard. So maybe that's why we need Freedman's book now more than ever -- there's not just one author who can turn around this story of our country's/world's destiny. We all need to study what did and didn't work in the past and find a better path toward the future.

I was going to take a day off the heavy stuff today and read something a little bit lighter, but after writing the words in that last paragraph, I'm thinking I'll go ahead with my plan.  Next up for #bookaday #7 -- THEY CALLED THEMSELVES THE KKK.

Sunday, October 13, 2019

Welcome, Liesl Shurtliff!


Liesl Shurtliff is a favorite author here at A Year of Reading. Franki has reviewed Rump, Jack, and Grump. Liesl has a new series, Time Castaways, and the second book has its book birthday on Tuesday!


by Liesl Shurtliff
Katherine Tegen Books, September 17, 2019


by Liesl Shurtliff
Katherine Tegen Books, October 15, 2019

Liesl has graciously shared her thoughts on The Importance of Reading Wisely. We couldn't agree more!

The Importance of Reading Widely
By Liesl Shurtliff

“You are what you read.” It’s a sentiment many people have tossed around over the years, right along with “You are what you eat.” And if both of these things are true then I challenge anyone to define who I am. I read too widely, and I eat absolutely everything. I’m a person with many tastes and interests. I think we all should be.

I see many initiatives to get people to read more, and I like them, but what I’d liked to see a little more of is encouragement for people to read more widely, move outside their comfort zones, pick up a book you wouldn’t normally choose. Here are my suggestions:

Read both fiction and non-fiction

Statistics show that women tend to read more fiction, and men gravitate toward non-fiction. This is fascinating to me, and I could delve into all kind of psychoanalytic theories about why this is and what it means, but that would be (mostly) beside the point of the post. Suffice it to say, I think we should tip the scales in both cases. Men should read more fiction. Women should read more non-fiction. Both are good for you.

I personally used to think non-fiction was code for BORING. I’ve since learned that non-fiction can be some of the most engrossing books out there. It’s one thing to get lost in a good story. It’s another to get lost in a good story that is completely REAL. Malcolm Gladwell, Erik Larson, and Elizabeth Gilbert have been a few of my favorites.


Read outside your usual genre.

Whenever someone asks what genre is my favorite I say “Good writing.” Perhaps the definition of what makes a good book is subjective, but I’ve found my own tastes have become more refined the more widely I read. Yes, I read a lot of fantasy as that is what I write, but I’ve read plenty of poorly written fantasy, and I’ve found that it helps my own writing to read a wide variety of genres and styles. I feel like I’m in a rut when I read too much of one genre. It can start to feel stale and boring, sort of like eating only one kind of food. No matter how good those tacos are, eventually I’m going to want some salad. Mix up your reading diet with a mixture of genres.

Read books and authors outside your own race, culture, religion, country, experience and world view.

Reading has been touted as an activity that develops empathy, but for whom are we developing empathy? People like us? People whose experience and world view is not so different from our own? That will not develop empathy, only self-assurance. Challenge yourself and your world view. Pick up a book that makes you a little uncomfortable. Or a lot. And please, read books written by authors who are intimately acquainted with the experience being written about (aka #OwnVoices.) It matters.

Read children’s books!

Okay, I am slightly biased here, seeing as I’m a children’s book author, but please believe me when I say there is some incredibly good literature being produced in the children’s book world. Don’t stick your nose up at it. Pick up a picture book, a middle-grade or young adult novel, or a graphic novel, and remember what it was like to be a kid. Or pick up a book you remember reading and loving as a kid and see what you think of it now. I’ve done this and usually find I love it just as much, even though I’m reading it with a completely different perspective. It’s a nostalgic experience.

Reading is good. Reading a lot is better. Reading widely is best, just like eating a varied diet. Take stock of your reading choices. See if you can mix things up every now and then.   Get recommendations for friends or co-workers. If there’s one thing I know it’s that people love to talk about what they’re reading. And if they don’t read, well then, we should all be ready to share our own reading recommendations and feed the famished. Best to have a variety on hand.


Liesl Shurtliff is the New York Times bestselling author of the (Fairly) True Tales series and the Time Castaways trilogy. The second book is available October 15th! Her books have been named to over two dozen state award lists and have won many awards including a Children’s Book Award from the International Literacy Association. Liesl lives in Chicago with her husband and four children. Lieslshurtliff.com @lieslshurtliff



Thanks for visiting, Liesl! We can't wait to read your new series!