Showing posts with label Karen Cushman. Show all posts
Showing posts with label Karen Cushman. Show all posts

Monday, December 24, 2012

An Elizabethan Christmas Greeting from Karen Cushman

We were lucky enough to take part in Karen Cushman's blog tour for Will Sparrow's Road. My student, "Suzy," who is Muslim, read the book and helped to prepare the questions for Ms. Cushman. (see blog tour post here and comment for a chance to win a copy of the book) When we received the following information about Christmas in Elizabethan England, Suzy naturally had questions about Muslims in England at that time. Ms. Cushman graciously sent this addendum to her description of an Elizabethan Christmas:

Alexander Ostuzhev as Othello, 1935

Will Sparrow’s Road takes place in England in 1599, during the reign of Elizabeth I. There were very few if any Muslims in England at that time. Shakespeare was familiar enough with Muslims to include such characters in The Merchant of Venice, Titus Andronicus, and Othello, which featured a Moorish Othello as its title character. It is said these plays were inspired by several Moorish delegations from Morocco to England about 1600.



So now is come our joyful'st feast,
 
Let every man be jolly.
 
Each room with ivy leaves is drest,
 
And every post with holly. 
Though some churls at our mirth repine, 
Round your foreheads garlands twine,
 
Drown sorrow in a cup of wine,
 
And let us all be merry. 
(George Wither—16th c. poet)

 
Imagine a Christmas without a tree, colored lights, Santa Claus, presents, or Rudolph the red-nosed reindeer. Even without these joys, the Elizabethan Christmas revels were the highpoint of the year. After the sad, solemn, sometimes violent reign of Mary Tudor, Englishmen were ready for gaiety. And Elizabeth, relieved to find herself queen and not martyr, marked her reign with joy, luxury, and extravagance. Her people, starting on Christmas Eve and culminating twelve days later on Twelfth Night, celebrated Christmas with gusto.

Villagers and nobles alike decorated their homes with holly, ivy, yew, bay, laurel--in fact, anything still green. A large log, the Yule log, was brought in and kept burning in the hearth throughout the twelve days of the holiday.

Someone would be chosen as “The Lord of Misrule” and would be in charge of organizing the entertainment and revelry for the Twelve Days of Christmas. There would be dancing and play-acting and the singing of carols. Groups of girls and boys would go round their village or neighborhood with an empty drinking cup, begging for each house to fill it with spiced ale or cakes or a silver penny. It was bad luck to refuse.

Food was the highlight of the celebration. Turkey had only been introduced into England from the Americas during the reign of Henry VIII and was relatively uncommon. Goose was more traditional. It is said that in 1588 Elizabeth I ordered the entire country to serve goose at their Christmas feast, since it was the first meal she had eaten following England's victory over the Spanish. The very rich might serve peacock—skinned, cooked, and put back into its skin and feathers. The poor, of course, ate whatever they could.

Other goodies included wild boar, minced meat pies, plum porridge, and a Christmas pie of birds' tongues, eggs, sugar, lemon and orange peel, accompanied by a beer brewed especially for the occasion. During the Elizabethan age water was not considered fit to drink. Instead, beer was the staple drink for the majority of people, and it was common for country homes to house their own brewery. Mulled wine might also be served as well as syllabub (spiced milk with rum or wine) and lambswool, made by heating cider, sherry or ale, spices, and apples until the apples exploded into a foamy, white head.

The last night of the Christmas celebrations was January 6, the Feast of the Epiphany, which commemorated the coming of the Three Kings. Twelfth Night festivities were often the grandest of the year, filled with balls and parties. A special cake would be baked and given out to members of the family and household. This cake would contain a bean and whoever found it would be pronounced King of the Bean.

Whether or however you celebrate Christmas, I wish you great joy of the season and a splendid new year.

-- Karen Cushman

Wednesday, December 19, 2012

Karen Cushman Blog Tour


Will Sparrow's Road
by Karen Cushman
Houghton Mifflin, 2012

Karen Cushman has a gift for bringing the past to life. In her newest book, we travel to Elizabethan England and meet Will Sparrow, self-proclaimed liar and thief, who, in the first chapter of the story, runs away from the innkeeper to whom his father sold him to pay a bartab.

Throughout his journey, Will tries hard not to trust people or become too attached to them, but it is just not in his nature. He falls in with a sort of Elizabethan freak show that travel from fair to fair. The man who "owns" the a midget, the cat-faced girl, and a variety of real and conjured oddities in bottles that fair-goers pay to see, turns out to be the right person to mistrust. But by the end of the book (after the "owner" has been dispatched),
"...Will walked right up to them as if he belonged there. Which, he supposed, he did. Oddities, all of them -- a liar and a thief, a disagreeable little man, and a girl with the face of a cat -- belonging nowhere but with each other."

One of my fifth graders (I'll call her Suzy) read Will Sparrow's Road and shared her thoughts and questions with me.

The character Suzy was most taken with was Grace Wyse, the cat-faced girl. Suzy imagined her as "pretty and brave, but she didn't really trust sometimes." I had wondered as I read whether a modern young reader would be able to visualize from Cushman's descriptions of Grace, a child with the condition (Cushman explains it a bit in the author's notes) hypertrichosis.

Suzy found that visualizing the story was difficult. Everything is so different -- "strange language, weird foods, and no electronics!" This seems to me to be the challenge of historical fiction for young readers. It's a conundrum. They don't have the background knowledge for historical periods that helps to make historical fiction come alive, and yet, historical fiction is often the best way to get a feel for a historical period that helps it to come alive! When my two language arts classes totalled up the number of books they'd read in the first trimester, the genre of historical fiction was a weakness in both classes. We'll be launching a fiction unit after break -- the perfect opportunity to dig into historical fiction!

Suzy and I had these questions for Ms. Cushman:


How do you make another time period come to life for a reader? What kinds of specific details do you look for in your research? 

I like to metaphorically look around a place and see the things my character would notice: clothing, music, houses, food, herbs and trees and birds. I deliberately try to include all five senses—not just what a setting looks like. How does it smell? What sounds might one hear? And how does the character know? Where does he feel it in his body? What does that sound do to his ears? His heart? Does it remind him of something? Somebody? How does that make him feel?

Equally important are attitudes, beliefs, and assumptions of the past. These are harder to identify but critical. People of the past are not just us in different clothing. There are very real differences in what we believe, value, and think true.


Was there a journey story that inspired you as a young reader? 

No, not as a young reader but as a 22-year old, in a children’s literature class, I discovered Dawn Wind by the British historical novelist Rosemary Sutcliff. This journey story is set from the last stand of the Romans in Britain through invasion and settlement of the Saxons. It was a very different time and place from my own but drew me in with its gorgeous prose and characters I could relate to. I saw how good historical fiction transcends the difficulties of language, place, and time.


What messages or learnings do you hope a modern child takes away from Will Sparrow's Road?

I would like modern children to see the importance of looking beyond appearance and to try to treat everyone as we would like to be treated. I’d also hope they draw encouragement from seeing a boy overcome his bad beginning with pluck and determination. If Will Sparrow can succeed with all his problems, I think we all can.

See our Christmas Eve post for information Karen Cushman sent about Christmas in Elizabethan England.


The publisher was kind enough to provide a copy of Will Sparrow's Road for us to give away. Leave a comment that includes one (or more!) of your favorite books of historical fiction (picture book, chapter book, graphic novel, poetry...you name it) and I will put your name in a hat for a drawing. DEADLINE: Midnight, December 31. Be sure that your comment includes a way for me to find you, in the event that you win! And thanks, in advance, for helping me to plan a fabulous historical fiction unit!

BLOG TOUR THURSDAY:
Tomorrow, check out Random Musings of a Bibliophile for Karen Cushman's next stop.

BLOG TOUR: TUESDAY
If you are interested in why Karen Cushman chose a boy main character for the first time, she has a guest post at GreenBean TeenQueen.

BLOG TOUR: MONDAY
For a fabulously complete author-to-author interview, check out Kirby Larson's Kirby's Lane.