I just popped into Cover to Cover to pick up the new Pigeon book and the new Clementine book (more on those later.) But I got another nice surprise when Beth showed me this new book, DON'T WORRY BEAR by Greg Foley. This is one of the sweetest picture books I have seen in a while. And the text is predictable with great picture support so it is a great one to for new readers.
Bear and Caterpillar become friends. But caterpillar is busy making a cocoon. He tells Bear, "I'll stay inside for a while. But I promise you'll see me again." Bear visits the cocoon and worries about his new friend. Each page follows the same pattern (He came when it rained. Caterpillar said, "Don't worry, Bear. I'm not getting wet." Bear tries not to worry but then worries more when he finds the cocoon empty. A happy ending follows!
This bear is so darn sweet. You can't help but love him. And the story is just as sweet. I am not usually into sweet, but I love this new book. I bought it because it has great supports for new readers. And because I just loved it!
Tuesday, April 01, 2008
Maybe A Bear Ate It!
MAYBE A BEAR ATE IT by Robie Harris and Michael Emberley is a great new picture book that I couldn't resist. First of all, it is a story about reading. About what happens when you lose your favorite book. About how desperate you become when you lose your favorite book! In this story, the main character loses his/her favorite book and thinks about all of the places it could be. The text has lots of predictability because much of the book follows the pattern of "Maybe a Rhino ran away with it." So, this is a great book for early readers. It has great picture support, large text with good predictability and pattern. And, of course, there is a happy ending!
We have been collecting books for years that help us start conversations about books and reading with our students. We know how powerful a book can be to empower kids to talk about their own reading lives. This is definitely one I am happy to have in my collection. I can imagine it starting conversations about favorite books, losing favorite books, etc. (As a parent, it makes me think about my children's favorites that we had to read over and over and over and over again--so much that we sometimes hoped the favorite book would get lost for a day or two!)
We have been collecting books for years that help us start conversations about books and reading with our students. We know how powerful a book can be to empower kids to talk about their own reading lives. This is definitely one I am happy to have in my collection. I can imagine it starting conversations about favorite books, losing favorite books, etc. (As a parent, it makes me think about my children's favorites that we had to read over and over and over and over again--so much that we sometimes hoped the favorite book would get lost for a day or two!)
Monday, March 31, 2008
2008 Notable Children's Books in the Language Arts
_____________________________________________________________
2008 Committee: Deanna Day, Chair, Monica Edinger Past Chair
Pat Austin, Sharon Levin, Janelle Mathis, Jonda McNair, Kathy Short, Edward Sullivan
Poetry and Drama
Dillons, Leo and Diane. (2007). Jazz on a Saturday Night. New York: Blue Sky Press/Scholastic.
Forman, Ruth. (2007). Young Cornrows Callin Out the Moon. Illustrations by Cbabi Bayoc. San Francisco, CA: Children’s Book Press.
Neri, G. (2007). Chess Rumble. Illustrations by Jesse Joshua Watson. New York: Lee & Low.
Park, Linda Sue. (2007). Tap Dancing on the Roof: Sijo Poems. Illustrations by Istvan Banyai. New York: Clarion/Houghton Mifflin.
Schlitz, Laura Amy. (2007). Good Masters, Sweet Ladies! Voices from a Medieval Village. Cambridge, MA: Candlewick.
Historical and Realistic Fiction
Compestine, Ying Chang. (2007). Revolution is Not a Dinner Party. New York: Henry Holt.
Ellsworth, Loretta. (2007). In Search of Mockingbird. New York: Henry Holt.
Gifford, Peggy. (2007). Moxy Maxwell Does Not Love Stuart Little. Photographs by Valorie Fisher. New York: Schwartz & Wade/Random House.
Murphy, Pat. (2007). The Wild Girls. New York: Viking/Penguin.
Schmidt, Gary D. (2007). The Wednesday Wars. New York: Clarion/Houghton Mifflin.
Selznick, Brian. (2007). The Invention of Hugo Cabret. New York: Scholastic.
Sheth, Kashmira. (2007). Keeping Corner. New York: Hyperion.
Woodson, Jacqueline. (2007). Feathers. New York: G.P. Putnam’s Sons/Penguin.
Fantasy/Folklore
Fleischman, Paul. (2007). Glass Slipper, Gold Sandal: A Worldwide Cinderella. Illustrated by Julie Paschkis. New York: Henry Holt.
Higgins, F.E. (2007). The Black Book of Secrets. New York: Feiwel and Friends/Holtzbrinck.
Varon, Sara. (2007). Robot Dreams. New York: First Second/Holtzbrinck.
Information/Biography/Autobiography/Memoir
Bausum, Ann. (2007). Muckrakers. Washington, DC: National Geographic.
Fletcher, Ralph. (2007). How to Write Your Life Story. New York: Collins/Harper Collins.
Marcus, Leonard S. (2007). Pass it Down: Five Picture-Book Families Make Their Mark. New York: Walker/Holtzbrinck.
Sis, Peter. (2007). The Wall: Growing Up Behind the Iron Curtain. New York: Farrar, Straus and Giroux.
Sullivan, George. (2007). Helen Keller: Her Life in Pictures. New York: Scholastic.
Picture Books
Baretta, Gene. (2007). Dear Deer: A Book of Homophones. New York: Henry Holt.
Gravett, Emily. (2007). Orange Pear Apple Bear. New York: Simon & Schuster.
Harrington, Janice N. (2007). The Chicken Chasing Queen of Lamar County. Illustrations by Shelley Jackson. New York: Farrar, Straus and Giroux.
Judge, Lita. (2007). One Thousand Tracings: Healing the Wounds of World War II. New York: Hyperion.
Lee, S. (2007). The Zoo. La Jolla, CA: Kane/Miller.
Messinger, Carla and Katz, Susan. (2007). When the Shadbush Blooms. Illustrated by David Kanietakeron Fadden. Berkeley, CA: Tricycle.
Tan, Shaun. (2007). The Arrival. New York: Scholastic.
Watt, Melanie. (2007). Chester. Toronto, ON: Kids Can.
Wild, Margaret. (2007). Woolvs in the Sitee. Illustrated by Anne Spudvilas. Honesdale, PA: Front Street/Boyds Mills Press.
2008 Committee: Deanna Day, Chair, Monica Edinger Past Chair
Pat Austin, Sharon Levin, Janelle Mathis, Jonda McNair, Kathy Short, Edward Sullivan
Poetry and Drama
Dillons, Leo and Diane. (2007). Jazz on a Saturday Night. New York: Blue Sky Press/Scholastic.
Forman, Ruth. (2007). Young Cornrows Callin Out the Moon. Illustrations by Cbabi Bayoc. San Francisco, CA: Children’s Book Press.
Neri, G. (2007). Chess Rumble. Illustrations by Jesse Joshua Watson. New York: Lee & Low.
Park, Linda Sue. (2007). Tap Dancing on the Roof: Sijo Poems. Illustrations by Istvan Banyai. New York: Clarion/Houghton Mifflin.
Schlitz, Laura Amy. (2007). Good Masters, Sweet Ladies! Voices from a Medieval Village. Cambridge, MA: Candlewick.
Historical and Realistic Fiction
Compestine, Ying Chang. (2007). Revolution is Not a Dinner Party. New York: Henry Holt.
Ellsworth, Loretta. (2007). In Search of Mockingbird. New York: Henry Holt.
Gifford, Peggy. (2007). Moxy Maxwell Does Not Love Stuart Little. Photographs by Valorie Fisher. New York: Schwartz & Wade/Random House.
Murphy, Pat. (2007). The Wild Girls. New York: Viking/Penguin.
Schmidt, Gary D. (2007). The Wednesday Wars. New York: Clarion/Houghton Mifflin.
Selznick, Brian. (2007). The Invention of Hugo Cabret. New York: Scholastic.
Sheth, Kashmira. (2007). Keeping Corner. New York: Hyperion.
Woodson, Jacqueline. (2007). Feathers. New York: G.P. Putnam’s Sons/Penguin.
Fantasy/Folklore
Fleischman, Paul. (2007). Glass Slipper, Gold Sandal: A Worldwide Cinderella. Illustrated by Julie Paschkis. New York: Henry Holt.
Higgins, F.E. (2007). The Black Book of Secrets. New York: Feiwel and Friends/Holtzbrinck.
Varon, Sara. (2007). Robot Dreams. New York: First Second/Holtzbrinck.
Information/Biography/Autobiography/Memoir
Bausum, Ann. (2007). Muckrakers. Washington, DC: National Geographic.
Fletcher, Ralph. (2007). How to Write Your Life Story. New York: Collins/Harper Collins.
Marcus, Leonard S. (2007). Pass it Down: Five Picture-Book Families Make Their Mark. New York: Walker/Holtzbrinck.
Sis, Peter. (2007). The Wall: Growing Up Behind the Iron Curtain. New York: Farrar, Straus and Giroux.
Sullivan, George. (2007). Helen Keller: Her Life in Pictures. New York: Scholastic.
Picture Books
Baretta, Gene. (2007). Dear Deer: A Book of Homophones. New York: Henry Holt.
Gravett, Emily. (2007). Orange Pear Apple Bear. New York: Simon & Schuster.
Harrington, Janice N. (2007). The Chicken Chasing Queen of Lamar County. Illustrations by Shelley Jackson. New York: Farrar, Straus and Giroux.
Judge, Lita. (2007). One Thousand Tracings: Healing the Wounds of World War II. New York: Hyperion.
Lee, S. (2007). The Zoo. La Jolla, CA: Kane/Miller.
Messinger, Carla and Katz, Susan. (2007). When the Shadbush Blooms. Illustrated by David Kanietakeron Fadden. Berkeley, CA: Tricycle.
Tan, Shaun. (2007). The Arrival. New York: Scholastic.
Watt, Melanie. (2007). Chester. Toronto, ON: Kids Can.
Wild, Margaret. (2007). Woolvs in the Sitee. Illustrated by Anne Spudvilas. Honesdale, PA: Front Street/Boyds Mills Press.
Nonfiction Monday -- One Hen
One Hen: How One Small Loan Made a Big Difference
by Katie Smith Milway
illustrated by Eugenie Fernandes
Kids Can Press, 2008
review copy compliments of the publisher
Based on the true story of Ghanian Kwabena Darko, ONE HEN tells the story of the difference that microfinancing can make to an individual, a family, a community, and ultimately, a country.
In the story, Kojo and his mother live in a community that pools its resources and allows the families to take turns borrowing the money for a project that will help them to make a profit before they pay back the loan. Kojo's mother uses her turn to buy a cart so she can carry more firewood to market. With a part of their profit, Kojo buys one hen. The hen provides them with eggs, but also generates more profit. Kojo buys more hens, realizes he needs to finish school to better run his business and eventually gets a scholarship to an agricultural college. When he returns from college, he expands his poultry business, providing jobs for the community and paying taxes that help his country.
ONE HEN is beautifully designed. The illustrations, by Eugenie Fernandes, are bold and colorful paintings. Each double page spread is one third or one half text on a rich (pun intended), luminous gold background. On each illustration is a line reminiscent of "The House That Jack Built":
This is Kojo.
This is the loan that Kojo gets.
This is the hen that Kojo buys with the loan he got.
These are the eggs that Kojo sells from the hen he bought.
The book includes information about the "Real Kojo," Kwabena Darko, and sections titled "What you can do to help?" and "Making changes in the world, on person, one family, one community at a time..." There is also a glossary of African and economics terms.
Teaching economics has always seemed abstract and irrelevant to 10 year-olds. I think all that will change this year when I use this book as the anchor of my economics unit.
One Hen was featured on the NPR story, Child's 'One Hen' Lays Microlending Success.
Be sure to check out the One Hen website.
The Nonfiction Monday roundup is at Picture Book of the Day.
Sunday, March 30, 2008
How Much Can You Love Barbara O'Connor?
So, I LOVED HOW TO STEAL A DOG. I think it is one of the best read aloud books out there for grades 3-5. So, I was very excited to see that GREETINGS FROM NOWHERE was available at Cover to Cover.
I can't tell you how much I love this book. For me, it was a cross between all of my favorites. Sometimes I felt like I was reading Cynthia Rylant. Sometimes I felt like I was reading Kate DiCamillo. It made me feel like lots of my favorites (VAN GOGH CAFE, BECAUSE OF WINN-DIXIE, WHERE THE HEART IT). Barbara O'Connor seems to have found a voice in this one that is brilliant. The story is simple--a group of people who seem to need each other and find things out about themselves because of the time they spend together.
Barbara O'Connor takes us to the Sleepy Time Motel in the Great Smokey Mountains. And she introduces us to characters who will live with us for along time. I can tell that these are characters I will think about for a very long time, even though I have finished reading the book.
I have decided to read this one aloud to my 3rd and 4th graders starting later this week. It may be a bit sophisticated for them but I don't think so. I think when you read about characters you come to love, it is big.
Really, I can't imagine loving a book more than I loved this one. It was really quite a perfect book.
(I went back to watch the book trailer on the book. I figured I wouldn't like it now that I had read the book, but I LOVED it! It is perfect. Totally captures the feel of the book. Brilliant!)
I can't tell you how much I love this book. For me, it was a cross between all of my favorites. Sometimes I felt like I was reading Cynthia Rylant. Sometimes I felt like I was reading Kate DiCamillo. It made me feel like lots of my favorites (VAN GOGH CAFE, BECAUSE OF WINN-DIXIE, WHERE THE HEART IT). Barbara O'Connor seems to have found a voice in this one that is brilliant. The story is simple--a group of people who seem to need each other and find things out about themselves because of the time they spend together.
Barbara O'Connor takes us to the Sleepy Time Motel in the Great Smokey Mountains. And she introduces us to characters who will live with us for along time. I can tell that these are characters I will think about for a very long time, even though I have finished reading the book.
I have decided to read this one aloud to my 3rd and 4th graders starting later this week. It may be a bit sophisticated for them but I don't think so. I think when you read about characters you come to love, it is big.
Really, I can't imagine loving a book more than I loved this one. It was really quite a perfect book.
(I went back to watch the book trailer on the book. I figured I wouldn't like it now that I had read the book, but I LOVED it! It is perfect. Totally captures the feel of the book. Brilliant!)
Saturday, March 29, 2008
Tastes Like Chocolate: Thoughts From Young People
I received this book as a gift and what a gift it is! TASTES LIKE CHOCOLATE by Randi Allison is a collection of poems written by the children she's worked with over the years. It is a collection that is a great read--just as a great poetry read. As a teacher, it is a great reminder of how lucky we are to work alongside children every day. It helps remind us how brilliant and insightful they are! And it can also serve as a great resource for teachers of writing. Such great models of writing by kids of different ages.
The title and organization of the book are both quite clever. The back of the book reads "Like a fine chocolate sampler, this collection is filled with delectable moments of joyous wonder that melt and linger, dark musings of loss with a bitter aftertaste of longing, and simple insights filled with gooey, luscious surprises. Like any fine treat, TASTES LIKE CHOCOLATE yearns to be shared with the people you love." The Table of Contents shows us that the book is organized in the same way a box of chocolates might be--with bittersweets (thoughts about challenges), sweets (thoughts about childhood), and darks (thoughts about death and dying).
This collection is a perfect addition to your library if you are a teacher of reading, writing, poetry and/or life in general. Each poem gives the reader lots to think about. I can see using poems with kids in my class--thinking about how they might use what they learn in their own writing. I can see kids reading it on their own. And, as a teacher and parent, I can see going back to it--rereading some favorites over and over.
A great collection--this is one like I've never seen before. Because Randi is an educator, she has chosen an amazing collection of poems to share with the world. These poems were most likely written in great writers' workshops in great classrooms. It is a great reminder of the power of poetry in our students' lives. For years, I have collected my own students' writings--knowing that I will share them with future students. As a teacher, I know the power of these models in writing workshop--that reading the work of other children can have a huge impact on students' writing. In this collection, Randi shares a variety of these models for us to add to our own collections.
This is not an easy book to find but there is a website where you can order it. The website also has some great endorsements by educators like Shelley Harwayne, Cris Tovani, and Chrysse Hutchins.
The title and organization of the book are both quite clever. The back of the book reads "Like a fine chocolate sampler, this collection is filled with delectable moments of joyous wonder that melt and linger, dark musings of loss with a bitter aftertaste of longing, and simple insights filled with gooey, luscious surprises. Like any fine treat, TASTES LIKE CHOCOLATE yearns to be shared with the people you love." The Table of Contents shows us that the book is organized in the same way a box of chocolates might be--with bittersweets (thoughts about challenges), sweets (thoughts about childhood), and darks (thoughts about death and dying).
This collection is a perfect addition to your library if you are a teacher of reading, writing, poetry and/or life in general. Each poem gives the reader lots to think about. I can see using poems with kids in my class--thinking about how they might use what they learn in their own writing. I can see kids reading it on their own. And, as a teacher and parent, I can see going back to it--rereading some favorites over and over.
A great collection--this is one like I've never seen before. Because Randi is an educator, she has chosen an amazing collection of poems to share with the world. These poems were most likely written in great writers' workshops in great classrooms. It is a great reminder of the power of poetry in our students' lives. For years, I have collected my own students' writings--knowing that I will share them with future students. As a teacher, I know the power of these models in writing workshop--that reading the work of other children can have a huge impact on students' writing. In this collection, Randi shares a variety of these models for us to add to our own collections.
This is not an easy book to find but there is a website where you can order it. The website also has some great endorsements by educators like Shelley Harwayne, Cris Tovani, and Chrysse Hutchins.
Friday, March 28, 2008
That Workshop Book by Samantha Bennett
THAT WORKSHOP BOOK: NEW SYSTEMS AND STRUCTURES FOR CLASSROOMS THAT READ, WRITE, AND THINK by Samantha Bennett (Foreword by Cris Tovani)
I just discovered this new book about Reading/Writing Workshop. It is AMAZING! I would highly recommend it to anyone who has or wants to implement a solid reading and/or writing workshop.
Samantha Bennett is part of the PEBC out of Denver. She is an instructional coach for teachers in grades K-8. This book is brilliant and timely. Personally, I have been overwhelmed with professional book reading lately. I just can't keep up. So, I have been very careful about adding too many new professional books to my pile. This one is a must-have/must-read/must-keep-going-back-to kind of book. Bennett begins the book by reminding us why workshop works. She takes us back a bit to the groundbreaking work of Graves, Calkins and Atwell. She begins by reminding us that "workshop has been relegated to harsh time constraints, descriptions of activities to do in minilessons, or strict pacing guides that tell teachers how a workshop should unfold over a year...We have a problem with broad implementation with shallow understanding of the potential of what a classroom as a literal workshop means. The superficial orthodoxy around the procedures of workshop has distracted us from the core values of WHY workshop works."
She takes this issue on throughout the book--that the reason workshop works is in ritual, structure, student ownership, choice, etc. After her introductory chapter that reminds us what we seem to have lost in the workshop of today, she takes us into 6 classroom workshop and shows us why they work. There are definite key workshop elements to the workshops but there are also differences in the ways that teachers implement. Because she is a coach, Bennett is able to show us what works, why it works and to point out places for reflection. There are places in each chapter where both Bennett and the classroom teacher reflect and we are able to benefit
from being part of that reflection.
Surprisingly, this is an easy read. She takes us back to important thinking in a way that has a humor that is quite engaging. It is smart. It is important. Not only do you rethink your workshop, but there are also lots of ideas embedded in each classroom "visit". The book is a great combination of reflection, information, and things you can try tomorrow. The key though, is in remembering that workshop is not about one lesson or a daily routine. It is so much more than that when it works well.
I have to say that this is the BEST cover I have ever seen on a professional book. It is creatively done and calls you to read it. On opening the cover, you find that the art teacher at Bennett's school, Ann Loring, did the illustration on the cover and those throughout the book. The book is brilliantly done. The design and touches throughout the book are quite fun and creative for a professional book. You really feel like you know the writer and the teachers well because of it. A fun, engaging design.
Throughout the book, Bennett has created a "Teaching Fairy"--a little character who points things out about the classrooms we visit. Now, if you know me, I hate gimmicky things so I would tend to not like things like this. But in this book, the Teaching Fairy works well. It is nice to think that as teachers in schools these days, there is a little fairy helping us to the hard work we do. Because Bennett and the illustrator (Ann Loring) handle this with humor and fun, it totally works!
I can see this book being critical in staff development. So much to talk and think about. And since the examples span grades 1-8, there is something for teachers at all levels. The first chapter is one that would be good to revisit as a staff or in a workshop-getting back to the stuff of the workshop. I loved reading it on my own (although I found myself calling friends to read lines that I thought were brilliant!) and I am looking forward to talking to others about it soon!
I just discovered this new book about Reading/Writing Workshop. It is AMAZING! I would highly recommend it to anyone who has or wants to implement a solid reading and/or writing workshop.
Samantha Bennett is part of the PEBC out of Denver. She is an instructional coach for teachers in grades K-8. This book is brilliant and timely. Personally, I have been overwhelmed with professional book reading lately. I just can't keep up. So, I have been very careful about adding too many new professional books to my pile. This one is a must-have/must-read/must-keep-going-back-to kind of book. Bennett begins the book by reminding us why workshop works. She takes us back a bit to the groundbreaking work of Graves, Calkins and Atwell. She begins by reminding us that "workshop has been relegated to harsh time constraints, descriptions of activities to do in minilessons, or strict pacing guides that tell teachers how a workshop should unfold over a year...We have a problem with broad implementation with shallow understanding of the potential of what a classroom as a literal workshop means. The superficial orthodoxy around the procedures of workshop has distracted us from the core values of WHY workshop works."
She takes this issue on throughout the book--that the reason workshop works is in ritual, structure, student ownership, choice, etc. After her introductory chapter that reminds us what we seem to have lost in the workshop of today, she takes us into 6 classroom workshop and shows us why they work. There are definite key workshop elements to the workshops but there are also differences in the ways that teachers implement. Because she is a coach, Bennett is able to show us what works, why it works and to point out places for reflection. There are places in each chapter where both Bennett and the classroom teacher reflect and we are able to benefit
from being part of that reflection.
Surprisingly, this is an easy read. She takes us back to important thinking in a way that has a humor that is quite engaging. It is smart. It is important. Not only do you rethink your workshop, but there are also lots of ideas embedded in each classroom "visit". The book is a great combination of reflection, information, and things you can try tomorrow. The key though, is in remembering that workshop is not about one lesson or a daily routine. It is so much more than that when it works well.
I have to say that this is the BEST cover I have ever seen on a professional book. It is creatively done and calls you to read it. On opening the cover, you find that the art teacher at Bennett's school, Ann Loring, did the illustration on the cover and those throughout the book. The book is brilliantly done. The design and touches throughout the book are quite fun and creative for a professional book. You really feel like you know the writer and the teachers well because of it. A fun, engaging design.
Throughout the book, Bennett has created a "Teaching Fairy"--a little character who points things out about the classrooms we visit. Now, if you know me, I hate gimmicky things so I would tend to not like things like this. But in this book, the Teaching Fairy works well. It is nice to think that as teachers in schools these days, there is a little fairy helping us to the hard work we do. Because Bennett and the illustrator (Ann Loring) handle this with humor and fun, it totally works!
I can see this book being critical in staff development. So much to talk and think about. And since the examples span grades 1-8, there is something for teachers at all levels. The first chapter is one that would be good to revisit as a staff or in a workshop-getting back to the stuff of the workshop. I loved reading it on my own (although I found myself calling friends to read lines that I thought were brilliant!) and I am looking forward to talking to others about it soon!
Poetry Friday -- Pay Attention
It was A.E. Housman's birthday this week (Robert Frost's, too). It usually takes the sight of blooming trees to remind me of this poem. No blooms yet here.
I have more than doubled the age of the speaker of the poem at this point, but I still have hopes that I'll be able to watch spring come fifty more times. Forty more for sure.
Because there is no "for sure," no way of knowing how many more springs one has, this poem reminds me every year to pay attention as if this might be the last.
Loveliest Of Trees, The Cherry Now
by A. E. Housman
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
Ted Kooser's American Life in Poetry column featured another (modern) blooming cherry tree poem this week, by Judith Harris. Here is the last stanza:
It is only April.
I can't stop my own life
from hurrying by.
The moon, already pacing.
The roundup today is at Cuentecitos.
I have more than doubled the age of the speaker of the poem at this point, but I still have hopes that I'll be able to watch spring come fifty more times. Forty more for sure.
Because there is no "for sure," no way of knowing how many more springs one has, this poem reminds me every year to pay attention as if this might be the last.
Loveliest Of Trees, The Cherry Now
by A. E. Housman
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
Ted Kooser's American Life in Poetry column featured another (modern) blooming cherry tree poem this week, by Judith Harris. Here is the last stanza:
It is only April.
I can't stop my own life
from hurrying by.
The moon, already pacing.
The roundup today is at Cuentecitos.
Thursday, March 27, 2008
Claire and the Bakery Thief
Claire and the Bakery Thief
by Janice Poon
Kids Can Press, 2008
review copy compliments of the publisher
Claire's dad lost her job and they're moving. He's enthusiastic about the small town bakery he bought that he's going to convert to all-organic, but Claire's mom is less than thrilled about moving away from the city. Claire's dog Bongo is her constant companion, but when it comes to making new friends, it seems she's stuck between older girls who only want to talk about boys, and the six year-old son of a neighbor.
Luckily, Claire meets Jet, a girl who has a great imagination like hers and whose experience with divorce helps Claire deal with her bickering parents.
Claire has her eye on a shady artificial flavoring salesman who keeps coming to the bakery, and when her mom goes to the city with him and doesn't come back, he's Claire's main suspect. With the help of Jet and Bongo, Claire sets out to solve the mystery of her missing mom.
This graphic novel for younger readers is reminiscent of Kat & Mouse by Alex de Campi, which features middle school teen girls teaming up to solve a mystery that threatens one of the parents. Claire and Jet will appeal to girls in the 7-10 year age range. The mystery in Kat & Mouse is set in the science lab and in the back of the book are the instructions for doing some of the science that the girls use to solve the mystery. Similarly, in the back of Claire and the Bakery Thief are some of the recipes that are featured in the story.
By the end of the book, Bellevale seems like home to Claire and her parents. Claire is looking forward to the start of school, and readers will look forward Claire's next adventure.
Subscribe to:
Posts (Atom)