Some of my favorite songs and sites:
The Elephant Song (and all of the others by Eric Herman)
Two PUBLIC SCHOOL teachers who read. A lot.
"Though some have called my acrostic books poetry, I think of them as word play, as solutions to problems of verbal geometry."Verbal geometry. I like that. Maybe that's what all of poetry is, after all. Schnur gives himself an additional challenge in his four seasonal acrostic books by making them alphabet books as well.
"The Poet Laureate Consultant in Poetry to the Library of Congress serves as the nation's official lightning rod for the poetic impulse of Americans. During his or her term, the Poet Laureate seeks to raise the national consciousness to a greater appreciation of the reading and writing of poetry."You might remember that I have a collection of four volumes signed by Poet Laureates -- Billy Collins (from before he was Laureate), Ted Kooser (who was signing at NCTE a few years ago), and two given to me by the best big brother in the world: Richard Eberhart (Laureate in the year of my birth), and Robert Frost (THE Robert Frost!!!). Kay Ryan, whose wit and rhyme and word play I adore, is my fifth Poet Laureate autograph. Ryan's talk was a poetry reading with commentary -- sometimes before the poem, sometimes after, sometimes during. She read each poem twice. She says (and I totally agree) the first reading of a poem is just to find out, "Do I want to read this poem?" The second reading is really the first reading. In her keynote, she gave us a few Key Notes: "You must write what you can at that time." Not very grand, she says, but meant to convey urgency and the acceptance of your work in the moment. (Good advice for living, as well as writing.) She also said that although her writing is very personal -- she writes because something is worrying her -- she is always aware that her writing must be accessible to the public as well. Here's my favorite poem by Kay Ryan, one I loved before she was named Poet Laureate: Turtle Who would be a turtle who could help it? A barely mobile hard roll, a four-oared helmet, She can ill afford the chances she must take In rowing toward the grasses that she eats. (the rest is here) You can hear Kay Ryan reading "Turtle" and commenting on her best rhyme ever ("a four-oared" and "afford") in this podcast with Billy Collins and Garrison Keillor. Ryan reads first, so if you only have time for a bit, you'll get to hear her. But if you listen to the whole thing, you'll get to hear her talk a bit more about her Key Note that the poet must attend to her/his reader.
"Why, you may ask, do poems have rules? Why 17 syllables in a haiku? Why 14 lines in a sonnet? The answer is: rules make the writing of a poem more challenging, more exciting. Think of a game you enjoy, like baseball. Imagine how much less intriguing the game would be if there were no foul lines or no limit to the number of outs in an inning. The rules often ask, "Can you do a good job within these limits?" Knowing the rules makes poetry -- like sports -- more fun, for players and spectators alike. Robert Frost once remarked that poetry without rules would be like a tennis match without a net."Off you go. Grab your copy of A KICK IN THE HEAD and finish reading the introduction. Then read it to your students. Then study the little pictorial clues that illustrator Chris Raschka included in the top corner of each page where the name of the form is and try to figure out how he has represented the poetry form within that clue. (And shake your head and promise never to wait four years to read the introduction of ANY book EVER AGAIN!)