We are excited about two new blogs that you might want to check out. Meeting people at Choice Literacy Workshops is always a treat. We learned about both of these new blogs there. Now that we can all stay connected beyond the few days that we are together is so exciting.
I have been a fan of Lori's on Twitter for a while. So I was thrilled that she started a blog too. Lori's Lessons is a new blog by Lori Sabo (@lorilovesbooks on Twitter). Here's a teacher who looks at life (body image, trip to the chiropractor, coffee with a friend, new haircuts, and more) and finds lessons for her teaching practice. Good stuff. (And she is HYSTERICAL!)
I lucked out and just happened to sit next to Mandy at a Choice Literacy workshop last week. After we chatted a while, I learned that she is starting to blog with a friend and colleague--Word From the Corner. They have their first post and the blog will focus on literacy and learning. From talking to her for a bit at the breaks, I can tell this is a blog I'll want to follow!
Sunday, August 01, 2010
Saturday, July 31, 2010
Much Ado About Nothing
There's a summer tradition in Columbus -- Actors' Theater performs three different plays throughout the summer in German Village's Schiller Park...for FREE (donations are encouraged). We saw Treasure Island earlier in the summer, and got a wonderful dose of Shakespeare last night with Much Ado About Nothing, performed in the round.
We started out sitting back there by the light/sound table, thinking we were on enough of a hill that we'd be able to see. Our picnic dinner from Whole Foods was spread and we were enjoying curried turkey salad and cranberry tuna salad (and looking forward to the Laceys), when a hoard of chickie-booms planted their chairs in front of us, effectively blocking the view. It was then that we decided to take the usher up on a seat on the stage.
We started out sitting back there by the light/sound table, thinking we were on enough of a hill that we'd be able to see. Our picnic dinner from Whole Foods was spread and we were enjoying curried turkey salad and cranberry tuna salad (and looking forward to the Laceys), when a hoard of chickie-booms planted their chairs in front of us, effectively blocking the view. It was then that we decided to take the usher up on a seat on the stage.
This was our new view! Much better!
A little bit of truth in advertising about me and The Bard. I don't go to Shakespeare Camp, like Sara Lewis Holmes does. I don't spend all of June brushing you up on your Shakespeare, like Kelly Fineman does. (Nor has The Old Spice Guy made a video response to any of my tweets, like he did for Kelly...)
In fact, on the way home from the play, I wondered aloud how it's possible that I can't understand half of the lines in Shakespeare, and yet I can perfectly follow what's going on in the story?!?! (It does get easier in the second half. It's like your ear gets tuned to Shakespearean English.)
I didn't get any pictures from the first half of the play, because I hadn't figured out how to silence my new camera, and what with sitting at the edge of the stage, I couldn't have all that beeping and booping.
Needless to say, Don John was evil and meddling, Beatrice was sharp-witted and strong-willed, Benedick was so set against marriage that even the dullest audience member had to know he'd be hooked by the end of the play, and Hero was sweet and demure and so pure that when Claudio spurns her at the altar...
...you want to get up there on the stage and smack him upside the head!
Here's when Benedick and Beatrice fall in love...but only because they each have been tricked into believing that the other is in love with them.
Now the "cops" have captured the meddlers that Don John hired to convince Claudio that Hero was not a pure woman. This little guy played Boy as well as "cop." In the program, his bio tells that this play "marks his professional debut, though he has appeared in a number of church Christmas pageants and school plays. Favorite roles include the title character in the Gingerbread Man, 2nd Billy Goat Gruff and 3rd Angel From the Left. When not onstage he enjoys fried chicken, the Wii game system, and Cub Scouting. He begins fourth grade in the fall." (could he be in my room, please?!?)
This is the part when Dogberry (little guy's dad in real life) tries so hard to convince everyone that it should be written in the record that he's been called an ass.
And then all the tangles get untangled and all the right people get married and the evil meddler is dispatched, the end.
But not quite the end. On the drive home, I checked to see if Kindle has Much Ado About Nothing. For less than a dollar, I downloaded it wirelessly to my iPhone Kindle (there's an app for that), and now I'll be able to go back and find my favorite lines and parts while they are fresh in my mind.
Friday, July 30, 2010
Poetry Friday -- Visual Verse
Last week, when I had a chance to spend the day in Denver visiting friends, Carol and I browsed the children's book section of Tattered Cover pointing to books we'd read, heard about, wanted to read, and loved dearly. Both of us were trying hard not to spend too much money, and the talk must have satisfied some kind of need, because we each only bought one book. Carol got Out of My Mind and I bought a 2005 Ed Young book that I had somehow missed.
When the pages lay flat, you can read the poem -- each line is on the edge of the page. Open a page and you find the illustration and the Chinese characters (ancient and modern) that echo the image.
This book could be a mentor text for writing about a beloved place or person, or even about oneself. Research findings might be written poetically and illustrated symbolically. So much to love about this book!
Here is an excerpt from the Author's Note:
The minute I opened Beyond the Great Mountains, I knew I had to buy it. You've made flip books with your students, haven't you? Check this out inside:
When the pages lay flat, you can read the poem -- each line is on the edge of the page. Open a page and you find the illustration and the Chinese characters (ancient and modern) that echo the image.
This book could be a mentor text for writing about a beloved place or person, or even about oneself. Research findings might be written poetically and illustrated symbolically. So much to love about this book!
Here is an excerpt from the Author's Note:
"Once, I asked a Western artist to use Western symbols to describe his concept of the word leisure. He immediately chose to describe it with a person floating on his back in water. The Chinese mind chooses to be less literal--for instance, one can place a moon between two panels of a doorway to show a state of mind by which one not only notices but also admines the quiet beauty of a moonbeam peeking in through that sliver. I think of this as visual verse. Rather than showing a particular instance of the idea, it reminds us that ideas are bigger than a single instance."
You can find a conversation with Ed Young at Chronicle Books.
The Poetry Friday roundup is at Irene Latham's blog, Live. Love. Explore!
Along with a Happy Poetry Friday, I'll make the name of her blog my wish for you today!
The Poetry Friday roundup is at Irene Latham's blog, Live. Love. Explore!
Along with a Happy Poetry Friday, I'll make the name of her blog my wish for you today!
Thursday, July 29, 2010
Sassy
Sassy: The Birthday Storm
by Sharon Draper
Scholastic, 2009
review copy purchased for my classroom
Sassy: The Silver Secret
by Sharon Draper
Scholastic, 2010
I'm thinking about starting the year in my fourth grade classroom with a unit of study on series books, so I'm gathering up a couple of books from a lot of new series this summer.
Franki reviewed the first book in the series, Sassy: Little Sister is NOT My Name! I love Sassy for many of the same reasons: she's a spunky girl with a personality all her own. She's got this great "Sassy sack" that her grandmother made for her -- a purple, silver and magenta bag with lots of pockets and compartments that holds everything Sassy needs -- and it's as much a character in the books as Sassy is!
In The Birthday Storm, Sassy and her family go to Florida to visit their grandmother for her birthday. A hurricane changes all the birthday plans and makes it necessary for the family to help save a nest of sea turtle eggs on the beach.
In The Silver Secret, Sassy has to find her own way to shine in the fourth grade program because she has a terrible singing voice! She makes a fabulous stage manager and she even has a chance to let her "silver secret" -- her piccolo playing -- out of the bag to save the performance when one of the singers gets sick.
by Sharon Draper
Scholastic, 2009
review copy purchased for my classroom
Sassy: The Silver Secret
by Sharon Draper
Scholastic, 2010
review copy purchased for my classroom
I'm thinking about starting the year in my fourth grade classroom with a unit of study on series books, so I'm gathering up a couple of books from a lot of new series this summer.
Franki reviewed the first book in the series, Sassy: Little Sister is NOT My Name! I love Sassy for many of the same reasons: she's a spunky girl with a personality all her own. She's got this great "Sassy sack" that her grandmother made for her -- a purple, silver and magenta bag with lots of pockets and compartments that holds everything Sassy needs -- and it's as much a character in the books as Sassy is!
In The Birthday Storm, Sassy and her family go to Florida to visit their grandmother for her birthday. A hurricane changes all the birthday plans and makes it necessary for the family to help save a nest of sea turtle eggs on the beach.
In The Silver Secret, Sassy has to find her own way to shine in the fourth grade program because she has a terrible singing voice! She makes a fabulous stage manager and she even has a chance to let her "silver secret" -- her piccolo playing -- out of the bag to save the performance when one of the singers gets sick.
Wednesday, July 28, 2010
Let's Help Rebuild Her!
Andrea Ross of Just One More Book was diagnosed with breast cancer on October 6, 2009. On October 3, 2010 she will run in Canada's version of The Race For the Cure.
In 8 days, she's raised over $2000. Let's give her a boost and see if we can get that number over $5000. It won't make up for all she's been through this year, but she and her family will know that there are bunches of Kidlitosphere friends who are throwing confetti for her first year and cheering her on as she begins her "me-ternity."
You can read Andrea's story here.
Go here to help her raise money for the Canadian Breast Cancer Foundation.
In 8 days, she's raised over $2000. Let's give her a boost and see if we can get that number over $5000. It won't make up for all she's been through this year, but she and her family will know that there are bunches of Kidlitosphere friends who are throwing confetti for her first year and cheering her on as she begins her "me-ternity."
You can read Andrea's story here.
Go here to help her raise money for the Canadian Breast Cancer Foundation.
Bogus
Bogus
by Karla Oceanak
illustrated by Kendra Spanjer
Bailiwick Press, 2010
review copy provided by the publisher
Aldo Zelnick is back with his second sketchbook filled with cartoons, rock-candy words starting with B (amusing illustrated glossary in the back of the book), and a mystery that's worth $1000 to solve: what happened to the ring he thought was bogus, but which has turned out to be quite valuable?
In Artsy-Fartsy, the first book of this alphabetic "comic novel" series (I reviewed it here), we met Aldo, his family and his friends. We found out how Aldo came to be writing and drawing in his sketchbook, and we fell in love with him, even though he's a little bit chubby, a little bit lazy, and he'd rather play video games than do anything else...except eat!
In Bogus, Aldo (somewhat reluctantly and very realistically) learns to put the needs of others before his desire for a giant flat screen TV. In book three, Cahoots, (out later this year) it sounds like Aldo is up for some more character-building when he has to spend time on his cousins' farm with no technology and lots of chores!
My fourth graders last year LOVED Artsy-Fartsy and were disappointed that Bogus would come out after they'd left my class. This new group is going to have two books in the series to devour and a third to look forward to by the end of the year!
Just for fun, you can follow Aldo Zelnick on Twitter: @AldoZelnick.
You can also check out his website: AldoZelnick.com.
by Karla Oceanak
illustrated by Kendra Spanjer
Bailiwick Press, 2010
review copy provided by the publisher
Aldo Zelnick is back with his second sketchbook filled with cartoons, rock-candy words starting with B (amusing illustrated glossary in the back of the book), and a mystery that's worth $1000 to solve: what happened to the ring he thought was bogus, but which has turned out to be quite valuable?
In Artsy-Fartsy, the first book of this alphabetic "comic novel" series (I reviewed it here), we met Aldo, his family and his friends. We found out how Aldo came to be writing and drawing in his sketchbook, and we fell in love with him, even though he's a little bit chubby, a little bit lazy, and he'd rather play video games than do anything else...except eat!
In Bogus, Aldo (somewhat reluctantly and very realistically) learns to put the needs of others before his desire for a giant flat screen TV. In book three, Cahoots, (out later this year) it sounds like Aldo is up for some more character-building when he has to spend time on his cousins' farm with no technology and lots of chores!
My fourth graders last year LOVED Artsy-Fartsy and were disappointed that Bogus would come out after they'd left my class. This new group is going to have two books in the series to devour and a third to look forward to by the end of the year!
Just for fun, you can follow Aldo Zelnick on Twitter: @AldoZelnick.
You can also check out his website: AldoZelnick.com.
Tuesday, July 27, 2010
2 New Games for the Library
I have been building our board game collection in the library over the last few years. Buffy Hamilton's recent mention of adding new games to her library this year inspired a quick shopping trip! Her post reminded me that I wanted to add some new games to our library too and I was near one of my favorite local toy stores.
When I think about my big goal for the K-5 library, I want kids to see it as a place for learning, thinking, exploring, discovering and creating. I want them to know that there are lots of tools for these things and that the library has a variety of tools to support the different learning they might do. Books, laptops, Legos, puppets, board games, cameras, magazines, and ipods are some of the tools available to kids in the library. I want them to think about which tool will support their learning and have access to a huge variety. I want them to see the library as a place that will support them with whatever tool it might be that they need and I try to fill the library with the best learning tools for elementary students.
In terms of games, some of the popular games that we have in the library are BANANAGRAMS, SCRAMBLED STATES, SET, and COUNTDOWN. Each of the games we have in the library supports learning in a different way. Some are strategy games, others connect to books. Some connect to specific learning that K-5 students do. Along with more strategy games (which I believe you can never have enough of!), I hope to pick up the new DON'T LET THE PIGEON DRIVE THE BUS board game as well as a FANCY NANCY board game for the younger kids. Some of the fourth graders asked about learning to play GO this year and having GO Tournaments, after reading HIKARU NO GO.
I picked up two new games that I am excited about today. The first is MULTIPLAYER PENTAGO. We have two of the regular (2 player) PENTAGO games in the library and they are a huge hit. If you don't know Pentago, it is a great visual strategy game for two players. Kids of all ages loved this game and after the first few days, I never won a game! This new 2010 version, is the same game but is made for more than 2 players. The board is colorful and up to 4 players can play this one. The 2 Pentago games were almost always in use so I am sure the kids will be excited about the new challenges and fun that this one provides. I also just discovered that you can play Pentago online--with a friend or against the computer. That will be another way kids can enjoy this great strategy game!
I also picked up SQUARE UP. It looked like a good game and I trust the Parents' Choice Award when it is on a game. This is a pattern/puzzle game in which two players race to slide cubes in order to match a given pattern. Although this is designed to be played with two players, it looks like there are ways for individuals to play and learn.
I also like to have some puzzles in the library. Most are either strategy puzzles or puzzles that go with books. I think puzzles encourage collaborative work in a way that other tools don't. When I saw the CRAZY CHEESE MATCHING PUZZLE, I thought it would be a great thing to put on a table during Student/Parent Walk-Through Day. I love to put things out that encourage parents and children to explore together. I think families could have fun with this one.
I don't have a huge budget for games but I do want to add a few more quality games this year. I would love to hear what other librarians are putting in their libraries in terms of games.
Monday, July 26, 2010
IN PICTURES AND IN WORDS: An Interview with Katie Wood Ray
If you have not had a chance to read Katie Wood Ray's new book, IN PICTURES AND IN WORDS: TEACHING THE QUALITIES OF ILLUSTRATION THROUGH ILLUSTRATION STUDY, it is a must read. As always, Katie has given us new things to think about when it comes to our writing classrooms. Her message is always about student ownership, teaching with intention and giving students the tools they need to be decision-makers in their writing.
I have been thinking a lot about what writing is today. There are so many ways to communicate messages. I worry that when we talk about 21st Century Literacy, we think that the inclusion of technology tools is the goal. Really, I think it is bigger than that. I think it is about expanding our definitions of writing to composing, but in a way that includes what we know about the process of creating. Two people who have helped me think through this are Bud the Teacher and Kevin at Kevin's Meandering Mind. I think we are just beginning to think about what this all means for young children. How can we expand the possibilities for our students while using what we know about early literacy? I think what Katie has done in this book is brilliant. When I think of the talk around visual literacy and composing, Katie has nailed this idea for young children. As always, Katie's work is about helping kids be intentional about their work, and sharing possibilities with children so that they can make wise decisions about whatever it is they are writing/drawing/creating. I was struck as I read this because I see the transfer of conversations with our youngest writers being very powerful. What they can learn through illustration study will help them create meaningful pieces no matter what the tools or format. To me, that's the key.
I had a chance to interview Katie about her new work. Her insights are brilliant, as always!
Katie: Both. It certainly can stand alone as its own unit of study - we've studied it in Lisa Cleaveland's classes for years as its own study. But what happens is, after that initial study, talking about the illustrator's decision making becomes just a natural part of how books are studied in writing workshop, and it becomes a part of every future study as well.
Franki: How did you get interested in illustration study?
Katie: These last few years, spending so much time conferring with kindergarten and first grade writers, I just realized how much thinking there is that goes into the composition of a picture - especially for some children. I would marvel at it, really. And then more and more I began to think about what it would mean to get behind that thinking, name it and support it, and help them engage in it even more deeply. The desire to do that led me to study illustrations much more carefully, much as I did when I was first learning about the written craft of language. The more I studied illustrations, the better able I was to help children imagine new possibilities in their composition work around pictures.
Franki: How do you see illustration study supporting all students as writers?
Katie: When teachers teach into the composition aspect of children's illustration work, children are gaining valuable experience with all the processes of composing - planning, drafting, revising, editing. To experience this kind of compositional thinking in a parallel context no doubt supports the same kind of thinking in a different context - with written text. Also, as I try to make the case in the second half of the book, children can be introduced to many key qualities of good writing in the context of illustration study.
Franki: What have you found about students that struggle with writing? How does illustration study support them?
Katie: For many of them, it gives them a way to more fully express their meaning (as it does with all writers), and this can be very liberating for them. There is this idea that language is something you can either get right or wrong, and most children and adults don't have this same idea about illustrating, so this is what is so freeing about it. Of course, some children don't feel very confident as illustrators either, and in this case, they have to be supported to celebrate and understand the role of approximation in learning both illustrating and writing.
Franki: You brilliantly mention 21st Century literacies early in the book. Explain how you see illustration study as fitting into the bigger goals of 21st Century Literacy.
Katie: I believe that if the teaching focus is on composing - making meaning with whatever tools you have at your disposal (written text being just one of those tools) - we do a much better job of preparing children to make meaning in a world where tools and means for communication will likely be changing throughout their lives, as they have throughout ours. It's all about composing, really, and illustration study is just another avenue for teaching into this valuable thinking process.
Franki: How do you think a study like this is different for young children (K/1) than it is for older children (2nd/3rd)?
Katie: I just think it would get more and more sophisticated as children move along in their development, much as a writing study grows and gets more sophisticated with children over time. For example, Kindergartners and 3rd graders might both be studying how to write engaging informational text, but the study of it and the products students produce will be more sophisticated the further along in their development children progress. I also believe that as children develop and move through school, illustration study can eventually move out of picture books and into other kinds of texts in the world that are a mix of the visual and the verbal - magazines, newspapers, websites, etc.
Franki: You include 40+ Techniques Worth Teaching in the book. Can you talk about these - why you think they are important, how you think teachers might use them, etc.?
Katie: They're important because in naming them, they will help people see so much more in illustrations than they might currently see, because once you start noticing, you can't help but notice more and more. And of course, every illustration decision you can name and articulate its use becomes a meaning-making possibility you might offer a child. In teaching, I'm a strong believer that knowledge is power, and this section was written to empower teachers. By naming all these techniques, I hope I created a valuable resource for teachers to grow their own knowledge base about the decisions illustrators make when they compose with pictures. I also tried to show how these decisions have very direct parallels to the decisions writers make when they compose.
Franki: I love the section on design and layout. Often we are quick about that piece of writing when working with kids. Why do you think that is an important part of the whole process - one worthy of time and intention?
Katie: Design is everything in the world of texts these days. We know that readers respond not just to the meaning of texts, but also to the look of them. Just think about how many have so totally designed what their email messages will look like - something as simple as that. Unfortunately I'm not one of those people (mine are kind of blah), but I love when I get a message that has nice color and a pleasant font, and a little meaningful symbol or saying tagged to it. Layout and design are just so critical.
Katie: I believe that if the teaching focus is on composing - making meaning with whatever tools you have at your disposal (written text being just one of those tools) - we do a much better job of preparing children to make meaning in a world where tools and means for communication will likely be changing throughout their lives, as they have throughout ours. It's all about composing, really, and illustration study is just another avenue for teaching into this valuable thinking process.
Franki: How do you think a study like this is different for young children (K/1) than it is for older children (2nd/3rd)?
Katie: I just think it would get more and more sophisticated as children move along in their development, much as a writing study grows and gets more sophisticated with children over time. For example, Kindergartners and 3rd graders might both be studying how to write engaging informational text, but the study of it and the products students produce will be more sophisticated the further along in their development children progress. I also believe that as children develop and move through school, illustration study can eventually move out of picture books and into other kinds of texts in the world that are a mix of the visual and the verbal - magazines, newspapers, websites, etc.
Franki: You include 40+ Techniques Worth Teaching in the book. Can you talk about these - why you think they are important, how you think teachers might use them, etc.?
Katie: They're important because in naming them, they will help people see so much more in illustrations than they might currently see, because once you start noticing, you can't help but notice more and more. And of course, every illustration decision you can name and articulate its use becomes a meaning-making possibility you might offer a child. In teaching, I'm a strong believer that knowledge is power, and this section was written to empower teachers. By naming all these techniques, I hope I created a valuable resource for teachers to grow their own knowledge base about the decisions illustrators make when they compose with pictures. I also tried to show how these decisions have very direct parallels to the decisions writers make when they compose.
Franki: I love the section on design and layout. Often we are quick about that piece of writing when working with kids. Why do you think that is an important part of the whole process - one worthy of time and intention?
Katie: Design is everything in the world of texts these days. We know that readers respond not just to the meaning of texts, but also to the look of them. Just think about how many have so totally designed what their email messages will look like - something as simple as that. Unfortunately I'm not one of those people (mine are kind of blah), but I love when I get a message that has nice color and a pleasant font, and a little meaningful symbol or saying tagged to it. Layout and design are just so critical.
To read more about Katie's book,
Katie will be presenting on her new work at NCTE's Annual Convention in Orlando in November.
Friday, July 23, 2010
Poetry Friday -- What We Need
What do you need every day? Right now I'm wishing for faster, stronger Internet so that I can do the very visual, image-based Poetry Friday post I had planned. Grrr... Next week, I guess.
In the mean time, what do I need every day? A cup of tea. Moments of quiet. Classical music. Thankfulness, friendship, love, and fresh air. An apple whenever possible, but bing cherries or blueberries will suffice when in season. And of course, books.
What We Need
In the mean time, what do I need every day? A cup of tea. Moments of quiet. Classical music. Thankfulness, friendship, love, and fresh air. An apple whenever possible, but bing cherries or blueberries will suffice when in season. And of course, books.
What We Need
by David Budbill
The Emperor,
his bullies
and henchmen
terrorize the world
every day,
which is why
every day
we need
The Emperor,
his bullies
and henchmen
terrorize the world
every day,
which is why
every day
we need
(Great cliffhanger, eh? You'll have to click here to find out what Budbill says we need! I think you'll agree...)
The Poetry Friday Roundup is at Language, Literacy, Love this week.
Thursday, July 22, 2010
Reading Brings the World to Our Doorstep
Bamboo People
by Mitali Perkins
by Mitali Perkins
Charlesbridge Publishing, 2010
review copy provided by the publisher
It's one thing to read about the current conflict in Myrnmar (formerly Burma) in the news, but it's another when the world comes to life through the characters in the book you're reading. If middle school students could read this book at the same time they are studying some of the historic conflicts in US history -- the Civil Rights Movement and race issues, the removal of native peoples to reservations -- they might better understand the warning about history repeating itself.
Chiko, son of a doctor, is hoping to become a teacher. When he answers an ad for a teaching job, he is conscripted in the Burmese army. Chiko's story is contrasted with that of Tu Reh, one of the ethnic minorities on the other side in the conflict. Their stories intersect. Choices must be made. Both boys grow in understanding and compassion.
Boys Without Names
Boys Without Names
by Kashmira Sheth
Balzer + Bray (HarperCollins), 2010
review copy provided by the publisher
Middle schoolers studying migrant labor or homeless issues in the US could read this book and expand their study to include child labor and third world sweatshop industries.
Gopal's family moves from rural India to Mumbai to escape debt. They become separated from his father and Gopal wants to try to earn money for their family. He meets someone who promises him a factory job, but who drugs and kidnaps him to work in an attic sweatshop with 5 other boys making beaded frames. Through storytelling, the boys learn to trust one another enough to escape from their cruel boss.
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