Thursday, October 29, 2009
Great New LEGO BOOK Set
I have been looking for good Lego books for years. You would think there would be millions based on how popular Legos are. But I never find them. I had THE ULTIMATE LEGO BOOK a while ago but it is no longer in print. I was browsing Amazon's list of New Releases for Children earlier this week and discovered this set. I ordered it immediately.
It is definitely going to get lots of attention in the library. For a while, I won't put it in circulation. Everyone will want to spend time with it! I think I'll just set these books over by the Legos for everyone to enjoy for a while. I'd like to eventually create a display around Legos and building toys--similar to the amazing displays at The Allen Centre. But I have hard time finding books, etc. on the topic. So, I am thrilled with this find!
The LEGO Books are huge book, as you would expect. THE LEGO BOOK is paired with another called STANDING SMALL (A Celebration of 30 Years of the Lego Minifigure). They are both such great books. THE LEGO BOOK takes us through the history of LEGO. From how they are made to various sets, to the Logo history, to Legoland and more. So much information is packed in. And it has the feel of DK at its best. Great photos and great information--you really get an inside view of design, themes, etc.
STANDING SMALL focuses on the minifigure through history. Some information is shared about how they are made and how they've changed. But the majority of the book focuses on the various minifigures over the last 30 years.
Kids are going to love this book. It opens up so many new possibilities for kids--new ways to think about Legos. I can also see using pages of this with a document camera. Such a great model of nonfiction writing and a topic kids are interested in. I am not someone who plays with Legos but yet I could read this book for hours. I am fascinated by the whole design process and the creation of these.
This set would also make a great gift book. The whole set came from Amazon--shipping included--for less than $30. Well worth every penny!
Wednesday, October 28, 2009
Two Books For Math Class
Tyrannosaurus Math
Zero is the Leaves on the Tree
by Michelle Markel
illustrated by Doug Cushman
Tricycle Press, 2009
review copy provided by the publisher
Tyrannosaurus Math is a number-crunching dinosaur who starts doing math the minute he hatches from his egg, counting his fingers and toes together to make a number sentence.
As he grows, his math becomes more advanced. Soon he's skip counting, subtracting and checking his work, and drawing a picture in the sand to solve a problem. He makes a pictograph and an array, and finally saves the day with an excellent use of estimation.
This would be a fun book to share with math learners of all ages AND their math teachers!
Also reviewed by Tricia at The Miss Rumphius Effect
Michelle Markel's blog, The Cat and the Fiddle
Zero is the Leaves on the Tree
by Betsy Franco
illustrated by Shino Arihara
Tricycle Press, 2009
review copy provided by the publisher
In this beautiful little book, the concept of zero is explored throughout a child's school year. First, zero is the number of "balls in the bin at recess time," then the number of leaves on the oak. In winter, zero is "the sound of snowflakes landing on your mitten." In spring, zero is "the bikes in the bike rack on the last day of school."
This book just begs for students to create their own illustrations of zero...and maybe of the other numbers as well!
Monday, October 26, 2009
A Great Read Aloud for November
I am not always a big fan of holiday books. I read them and like them but they are not the books that kids read year round so I don't often spend much energy finding good ones. But my friend Sarah pointed this one out to me and I am so glad she did. TURKEY TROUBLE by Wendi Silvano will be a fun story to read to kids in November. It is a bright colored book that is lots of fun. The story is a bout a Turkey who is in trouble because Thanksgiving is near. And Turkey knows what that mean. So, he works to try to disguise himself so that the farmer wouldn't eat him. The book takes us through lots of Turkey's ideas and the responses from the other animals on the farm. There is a little bit of predictability in the text and fun in the illustrations. You can't help but love Turkey and hope for the best. A great addition to our Thanksgiving book collection!
Sunday, October 25, 2009
What's Inside?
What's Inside?
by Giles Laroche
Houghton Mifflin, 2009
Review copy received from the publisher
This is the perfect book to invite children to think about both ancient and modern architecture.
On one page, there is a multi-media illustration of an architectural structure made with intricate bas-relief cut-paper collages. (Laroche says on the back flap that creating this book "was somewhat like building the actual structures themselves: Each illustration involved many stages of drawing, cutting, painting, and gluing, and often ended up with seven or eight layers.") The illustration of the structure is accompanied by a short, descriptive paragraph of text and the question, "What's Inside?" When you turn the page, there is another illustration, and another short, descriptive paragraph of text about what can be found (or was once found) inside the structure. For the reader who wants a little more information, there are factoids in the sidebar that tell the name of the structure, its location, the date of construction, its height, the materials used to make it, its status today and a little known fact.
The structures range from Egyptian tombs and Mayan temples, to Independence Hall and a Shaker barn, to the Sydney Opera House and the Petronas Twin Towers in Malaysia.
The final illustrations cleverly invite readers back into the book to make connections and to find architectural details in the structures.
An illustrated glossary of architectural terms is included.
Friday, October 23, 2009
Poetry Friday -- Hope
by Emily Dickinson
"Hope" is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I've heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
We were working in the land lab after school when a goldfinch, already in drab fall and winter colors, flew between us and smacked into a classroom window, falling to the stones below.
I scooped up the blinking, dazed little bird, and as I held it, I thought of the thing with feathers in Emily Dickinson's poem. After resting in a quiet spot for a few minutes, the goldfinch flew off, no worse for wear.
The thing with feathers perching in my soul has hit a wall this week, too. But true as it was for the bird in the land lab, it has only taken the kindness of one gentle hand to restore hope to its perch in my soul.
The round up today is at Big A little a.
Thursday, October 22, 2009
GRAPHIC NOVEL CLUB BEGINS
This week, we started a 5th grade Graphic Novels Club in the library. The Club will meet twice a month during lunch and recess. We had 19 kids attend and each came with lots of enthusiasm. Ray Barrett, one of our great Dublin Library librarians will be running the group through the year. Ray knows graphic novels well and I have already learned about lots of titles that I wasn't aware of. Since he is running the club, I was able to sit back and listen to the conversations between Ray and the students. He introduced the club by sharing many new titles with them. The kids were aware of some of them but many were new to all of us. Then they all chit chatted about the Graphic Novels they'd read and enjoyed as well as those that they hoped to read soon. Everyone left with one title in mind that they'd like to read before our next meeting. Ray and I will work together to gather the books they requested.
I was amazed at the level of talk and the knowledge that most of these kids had about graphic novels. I was also excited about the variety of things they were interested in reading. No one was worried about what other kids were choosing to read--they all felt pretty confident in their choicesI think that one thing Graphic Novels are doing for kids today is stretching the genres and authors they read. They seem more willing to try a new genre if it is in graphic novel form. .
It seems that we can't keep graphic novels in the library. Even though I felt like I added many Graphic Novels to the collection over the summer, there are never many available for check out. They are always checked out!
I am excited about the year ahead. We are so lucky that Ray has offered to run this club for us. Graphic Novels are not a genre that I choose to read often but I am hoping that this club will inspire me to read more of them. Ever since I read Terry Thompson's professional book, ADVENTURES IN GRAPHICA, I see the importance of this genre for all readers. The blog THE GRAPHIC CLASSROOM has also helped me learn about new books for elementary readers.
I think The Graphic Novel Club will be a great experience for the kids and we'll all learn so much. I'll keep you posted as we move forward in the year.
Tuesday, October 20, 2009
National Day on Writing!
It's finally here! NCTE's National Day on Writing!
Check out the Kidlitosphere's Gallery, "A Lifetime of Reading."
KidLitCon09 attendees had this to say about their lifetime of reading:
Thanks to the folks who agreed to appear on camera (in order of appearance):
Pam Coughlan (MotherReader),
Jen Robinson (Jen Robinson's Book Page),
Melissa Fox (Book Nut),
Liz Burns (A Chair, A Fireplace and a Tea Cozy),
Karen Terlecky (Literate Lives),
Bill Prosser (Literate Lives),
Sara Lewis Holmes (Read, Write, Believe),
Tricia Stohr-Hunt (The Miss Rumphius Effect),
Olgy Gary (Olgy's Blog),
Julie Dauksis (Grow Up With Books),
Lara Ivey (Grow Up With Books),
Terry Doherty (Scrub-a-Dub-Tub),
Maureen Kearney (Confessions of a Bibliovore), and
Greg Pincus (GottaBook).
Monday, October 19, 2009
A PLACE FOR WONDER: Author Interview Today
If you have not picked up a copy of A Place for Wonder: Reading and Writing Nonfiction in the Primary Grades by Georgia Heard and Jen McDonough, you will definitely want to do so after you read today's interview. We are thrilled to be the first stop on a blog tour for the authors of this great new professional book for teachers.
Franki: (for Georgia): We have always known you to write about poetry and writing. What made you decide to take on a different topic for this book?
When my son was younger, he inspired me by how curious he was -- especially about the natural world. During every outing, he learned something new and he asked hundreds of questions about how the world works. I’ve written and spoken about this especially with poetry but with all writing really – how poems, novels –- come from curiosity, close observation and the freedom to explore. I believe that young children are natural poets because they have a poetic way of looking at the world.
Georgia and Jen: Teachers with little, or no extra time, can still create places of wonder in their classrooms. Teachers can set up wonder centers as an activity in the morning when kids first arrive, or as after-school activities. You can write a question on a chart, and invite students to write their thoughts and answers throughout the day as a kind of shared writing. In A Place for Wonder: Reading and Writing Nonfiction in the Primary Grades, we name numerous centers and activities that teachers can put in place without giving up curriculum time. But the bigger question is how can teachers find their voices, and make a stand as to what we value in the curriculum for young students.
Franki: You have so many great suggestions for teachers about ways to make room for spaces where children can be curious and creative. If teachers were going to create one space to start, what would you suggest?
Georgia and Jen: The Discovery Table is the most popular of all the centers because kids love the natural world, and this center seems to connect them to the wider world. They love holding the shells, acorns, and robin’s eggs, etc. in their hands, and seeing new details when they look through a magnifying glass. We would also set up a Wondering Center to start –- a chart, a board -- where children write down and explore their questions throughout the day.
Franki: You include several booklists in the book. Can you each tell us about one of your favorite children¹s books from the book and the ways that you¹ve seen children respond to the title?
Georgia: One of my favorite books, and one of children’s favorites as well, is Byrd Baylor’s THE OTHER WAY TO LISTEN because it speaks about walking in the world like a poet – not just labeling trees and rocks with proper names -- but being able to see and understand their beauty. Children love this book because that’s how they perceive the world. Another favorite is THE WISE OLD WOMAN AND HER SECRET by Eve Merriam because it tells the story of how a child’s natural gift of curiosity and wonder are the keys to living a wise and intelligent life. It’s a great read aloud as you introduce the wonder centers.
Jen: THE FIRST SONG EVERY SUNG by Laura Krauss Melmed is a great example for kids of a heart wonder book. It shows that big, thoughtful questions often have different answers depending on who you are asking, and what you, as the author, believe. My kids were so enthralled by the illustrations, and realized quickly that the same question was being asked again and again, and the boy was getting different answers each time he asked different people. When I finished reading, I asked them what they noticed and they were quick to point out that the way the question was being answered was different each time. Right after the read aloud, I gave my mini lesson on writing heart wonders -- exploring a question through your own beliefs instead of looking the answer up in a book. It’s hard to find text that support the idea of writing from heart wonders but this book does it really well!
For Research Wonder work, the I Wonder Why Series by Kingfisher is an excellent choice for the classroom library. The illustrations are engaging and the text is fairly easy to read. These books are also great for examining non-fiction text features as they contain: table of contents; indexes; captions; fun facts and diagrams. These books are always in book baggies because the kids love to read them!
Franki: What do you see happen with research projects when students know that the things they wonder about are valued? How does classroom research and student learning change?
Georgia and Jen: We noticed that, prior to this wonder work, some of the topics, even ones that were personal, would fizzle out –the kids lost their enthusiasm to continue because they had little ownership over the process. When children’s wonders become part of their research the energy is tangible -- they are persistent and enthusiastic about exploring their questions, and also about becoming experts on their topics. We also discovered that the writing used to be more superficial, “Cats have four legs….” but with this way of exploring non-fiction, it helped push the children’s writing as the kids’ pieces were filled with craft, and voice as they try to emulate favorite non-fiction authors.
Franki: This book is targeted to teachers in grades K-2 but to me, there were so many things that would really support older kids as well. Through your research and writing, what tips do you have for teachers of upper elementary students when it comes to curiosity, creativity, research, and nonfiction writing?
Georgia and Jen: You’re right, encouraging wonder and curiosity in the classroom is not just for the primary grades. If you think about the genres of writing – poetry, fiction, nonfiction, essays, newspaper articles, etc. – authors of those genres speak about getting their ideas from observation and wonder. A unit of study on personal essays could have a wonder component. We might start with asking students if they have a question or a wonder -- that they’ve asked themselves for awhile –that they could explore in a personal essay. Students could also keep wonder boxes – or wonder notebooks – of questions and ideas they want to pursue in independent projects. Teachers could write a question – pertaining to the curriculum, or not, -- on an easel, and kids could write down their theories and ideas during the day. And of course, their research writing could be fueled by their wonders.
Georgia Heard's work has had a huge impact on my teaching. Her first book for teachers, FOR THE GOOD OF THE EARTH AND SUN gave me a new way to think about poetry writing with my students. In this new book, she teams with classroom teacher Jennifer McDonough to help us think about how to build on children's natural sense of wonder in schools. Together the two authors help us see the importance of making time and space for children's curiosities and celebrations of the world around them. They also show us how to connect those natural wonders in ways that help them grow as readers, writers, and researchers.
Although this is a book written for classroom teachers in grades K-2, I can see it being read and used by teachers at many levels. As a school librarian, this book has helped me think about ways to make research more real in the library---ways to think about space in ways that invite students to own their learning by starting with their wonders.
If you want to preview the book, it is available on Stenhouse's website. I am planning on rereading it and thinking about ways that the brilliance of these two educators can help me transform the library.
Now, onto the interview!
Franki: (for Georgia): We have always known you to write about poetry and writing. What made you decide to take on a different topic for this book?
When my son was younger, he inspired me by how curious he was -- especially about the natural world. During every outing, he learned something new and he asked hundreds of questions about how the world works. I’ve written and spoken about this especially with poetry but with all writing really – how poems, novels –- come from curiosity, close observation and the freedom to explore. I believe that young children are natural poets because they have a poetic way of looking at the world.
Georgia: When my son attended school for the first time, I was surprised by how that poetic way of looking at the world, the appetite for learning and curiosity, was almost viewed as a negative and a distraction. The structure and curriculum of school seemed to want him to do the opposite – to rein his unbounded enthusiasm in. So, I began to investigate early childhood and primary grade classrooms and environments, and realized that particularly with No Child Left Behind – many primary classrooms were not places of exploration and curiosity because teachers were under so much pressure to plan their curriculums around state tests. I was so grateful to meet Jen, who was my son’s teacher, who felt the same way as I did, and we teamed up to explore creating a wonder-filled world for primary children. So, it was a personal decision to pursue the idea -- not just for my son -- but for all young children.
Franki: So much of the book is about valuing the things students wonder about and creating spaces for wonder in our classrooms. Can you share a bit of your thinking on that?
Franki: So much of the book is about valuing the things students wonder about and creating spaces for wonder in our classrooms. Can you share a bit of your thinking on that?
Georgia and Jen: Matthew Fox wrote that many of our schools have become “knowledge factories” rather than “wisdom schools.” I’ve always loved this description because it seems so true. But then we ask ourselves, What would a wisdom school look like? And what kind of wisdom would it teach?
We feel that wisdom is about thinking deeply and paying attention to what’s around us, perceiving things around you with a sense of what really matters, and asking questions about the world around you. Children are naturally curious and come to school wanting to know how the world works. How many schools truly nurture and value that natural sense of wonder? It’s important for children to know that we care enough about what they’re curious about to make a space and time for those questions during the school day. Last week, one of the hermit crabs came out of its shell, and the kids were so excited about this seemingly small event. Jen sent them to the pet observation journal where they wrote down their questions and observations. Because Jen made a place for their wonder, they were able to savor that moment in words.
Franki: What is your advice for teachers who are trying to create places of wonder while still meeting the high-stakes testing environment that is present in today¹s schools?
We feel that wisdom is about thinking deeply and paying attention to what’s around us, perceiving things around you with a sense of what really matters, and asking questions about the world around you. Children are naturally curious and come to school wanting to know how the world works. How many schools truly nurture and value that natural sense of wonder? It’s important for children to know that we care enough about what they’re curious about to make a space and time for those questions during the school day. Last week, one of the hermit crabs came out of its shell, and the kids were so excited about this seemingly small event. Jen sent them to the pet observation journal where they wrote down their questions and observations. Because Jen made a place for their wonder, they were able to savor that moment in words.
Franki: What is your advice for teachers who are trying to create places of wonder while still meeting the high-stakes testing environment that is present in today¹s schools?
Georgia and Jen: Teachers with little, or no extra time, can still create places of wonder in their classrooms. Teachers can set up wonder centers as an activity in the morning when kids first arrive, or as after-school activities. You can write a question on a chart, and invite students to write their thoughts and answers throughout the day as a kind of shared writing. In A Place for Wonder: Reading and Writing Nonfiction in the Primary Grades, we name numerous centers and activities that teachers can put in place without giving up curriculum time. But the bigger question is how can teachers find their voices, and make a stand as to what we value in the curriculum for young students.
Franki: You have so many great suggestions for teachers about ways to make room for spaces where children can be curious and creative. If teachers were going to create one space to start, what would you suggest?
Franki: You include several booklists in the book. Can you each tell us about one of your favorite children¹s books from the book and the ways that you¹ve seen children respond to the title?
Georgia: One of my favorite books, and one of children’s favorites as well, is Byrd Baylor’s THE OTHER WAY TO LISTEN because it speaks about walking in the world like a poet – not just labeling trees and rocks with proper names -- but being able to see and understand their beauty. Children love this book because that’s how they perceive the world. Another favorite is THE WISE OLD WOMAN AND HER SECRET by Eve Merriam because it tells the story of how a child’s natural gift of curiosity and wonder are the keys to living a wise and intelligent life. It’s a great read aloud as you introduce the wonder centers.
Jen: THE FIRST SONG EVERY SUNG by Laura Krauss Melmed is a great example for kids of a heart wonder book. It shows that big, thoughtful questions often have different answers depending on who you are asking, and what you, as the author, believe. My kids were so enthralled by the illustrations, and realized quickly that the same question was being asked again and again, and the boy was getting different answers each time he asked different people. When I finished reading, I asked them what they noticed and they were quick to point out that the way the question was being answered was different each time. Right after the read aloud, I gave my mini lesson on writing heart wonders -- exploring a question through your own beliefs instead of looking the answer up in a book. It’s hard to find text that support the idea of writing from heart wonders but this book does it really well!
For Research Wonder work, the I Wonder Why Series by Kingfisher is an excellent choice for the classroom library. The illustrations are engaging and the text is fairly easy to read. These books are also great for examining non-fiction text features as they contain: table of contents; indexes; captions; fun facts and diagrams. These books are always in book baggies because the kids love to read them!
Franki: What do you see happen with research projects when students know that the things they wonder about are valued? How does classroom research and student learning change?
Georgia and Jen: We noticed that, prior to this wonder work, some of the topics, even ones that were personal, would fizzle out –the kids lost their enthusiasm to continue because they had little ownership over the process. When children’s wonders become part of their research the energy is tangible -- they are persistent and enthusiastic about exploring their questions, and also about becoming experts on their topics. We also discovered that the writing used to be more superficial, “Cats have four legs….” but with this way of exploring non-fiction, it helped push the children’s writing as the kids’ pieces were filled with craft, and voice as they try to emulate favorite non-fiction authors.
Franki: This book is targeted to teachers in grades K-2 but to me, there were so many things that would really support older kids as well. Through your research and writing, what tips do you have for teachers of upper elementary students when it comes to curiosity, creativity, research, and nonfiction writing?
Georgia and Jen: You’re right, encouraging wonder and curiosity in the classroom is not just for the primary grades. If you think about the genres of writing – poetry, fiction, nonfiction, essays, newspaper articles, etc. – authors of those genres speak about getting their ideas from observation and wonder. A unit of study on personal essays could have a wonder component. We might start with asking students if they have a question or a wonder -- that they’ve asked themselves for awhile –that they could explore in a personal essay. Students could also keep wonder boxes – or wonder notebooks – of questions and ideas they want to pursue in independent projects. Teachers could write a question – pertaining to the curriculum, or not, -- on an easel, and kids could write down their theories and ideas during the day. And of course, their research writing could be fueled by their wonders.
Sunday, October 18, 2009
KidLitCon--Places
The Library of Congress,
JEFFERSON Building
The Capitol Building
(any possible symbolism contained
in the opposition of the flag and the
street sign is purely coincidental and
not intended as a political statement)
A fellow Dublin teacher's son
participated in the U.S. Department
of Energy's Solar Decathlon with
the OSU team.
display on the Mall in front of the
Smithsonian, so we had to go check them out!
This is the OSU team's house.
Go, Bucks!
OSU placed 10th
overall.
Saturday, October 17, 2009
Library of Congress, Full Disclosure
1. We were late to the Library of Congress because it took us longer than we planned to find the hotel. (lesson: get driving directions from multiple sources)
2. We went to the Madison Building instead of the Jefferson Building. (lesson: read the instructions in the email carefully)
3. AJ's pocket knife was intercepted by security. (lesson: don't carry a pocket knife in D.C.)
4. The folks at the Jefferson Building information desk found the KidLitCon group and took us to them via a WAY cool spiral staircase. So we missed the general LOC tour, but we did get to see rare children's books in the Children's Room and rare illustrated books in the Rare Book Room. (lesson: never give up, because even though things aren't turning out the way you planned, something even more wonderful might happen)
Voice check: not back to full strength, but enough to be functional.
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